| There is no doubt that how the18th century French painting come up to people’s eyes was under thecombined effects of the social environment, economic growth and technological development such manyfactors with jumping creative thinking, skillful painting techniques and challenging subject matter inpainting the of the new generation of cenozoic genre, boosting, deconstruction, rebellion, contests, blossom,which also makes the object of painting had a higher level of upgrade, even though such a replacement,image of women has never exit public view.The frequency of female images appears in the paintings sufficient to prove that they have becomeartists’s "darling", the reason why there comes up to a mix of female images on the picture, perhaps causedthe social environment, economic conditions, cultural connotation that bring different living conditions tothe painter which makes the difference of female images outpouring on the picture in natural by artists’sdifferent aspects of life. The Eighteenth-century French Rococo paintings of women play a vital role inforeign art which recorded the most primitive and directive femininity of no matter court or citizen in theeighteenth-century French it certainly achieve the rage Rococo artistic characteristics.The performance of women in paintings is no longer a "fresh" topic, but the outward manifestation ittakes and cultural, economic which inherents in the social are attached to the wheel of history to moveforward. Especially in France,the paintings of female images in this period have undergone great changesregardless from the connotation or formal, but the reason for this phenomenon was seldom discussed,although Boucher and Chardin were in the same era, but their paintings features and self-interpretation offemale images indeed take us to ponder. This paper selects the comparing of women in18th century Frenchpainter Boucher and Chardin’s paintings as research content.The theme of18th century French painting is still wonderful, colorful, colorful as kaleidoscope. It hasnot only charming scenery which makes people stop in front of, as well as industrious and simple Frenchworking people. It even achieve a large number of outstanding artists. Behind each works hidden asensitive artistic soul, every artist with inspiration explain their own hearts on life and love of art in themost perfect drawing way, it also explains their perception and experience for beauty. It’s a new territory to explore woman, the systematic study temporarily lie in a immature infancy.Among many theories monographs, the research for women is too fragmented without system. Someresearchers confused the practical significance of presence of women and women, how to havecomprehensive subversion of the traditional watch model, the underlying social values, class ideology andconcept of life on female image and so on. In the process of studying women’s development, such problemsare inevitable. I try my best to writing this paper with the hope to crack these problems one by one.Throughout the art history we know that women as the object of painting have become the enduringtheme, which has a very important role for studying the history of painting. We studied women must beembarking on a particular social context they live, this not just refers to their external living conditions, butmore importantly is the political situation, economic development, cultural implication, customs and habitsand geographical environment etc all multiple factors, therefore, as enduring painting woman theme hasbecome particularly important,it can be an entry point to speculate and research the social background,humanities and social situation throughout the painting, so I selected women painting comparative study ofthe18th century French painter Boucher and Chardin as the key to considere and discuss. |
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