The purpose and significanceof this paperis to analyzethecurrent problemsand causes ofcontemporaryprints,and itsassociatedproblems andvarious forms ofart,soto faceall kindsofproblemsexist incontemporary art,to clarify thefuturedirectionof artreflectwhat is, and fromthedepartureprintsagaintowardsthe roadto solve theseproblems,meaningtherebyrevealing the natureofthe functionandmeaning of art, thustrying to establishtheir own ideasofcontemporaryprintmaking.Research methods to understand the present, the art ofprintmaking and other types of development in the history ofthe domestic situation and basic, and then collect and read asmuch as possible at all times associated with a variety ofinformation, papers outline form, and then refine each detailedquestions and association and logic to form the first draft,repeated review until completion.Due tothe flourishingof ideas, artisticblurthedefinitionelusive,contendingwith each otherto form avarietyof art,traditionalart formsare alsosubject tovariouschallengesto respond tothe currentproblem,printstoo,but itsproblems andemergethe momentbut hiddeninhistory,and notitsown problems,related to the wholeart, whichis not ayes or nocan beone-sidedpositioning,form andmeaningthroughitshistoryand thepresentcomparativeanalysis,this papercompared to otherkindsof art,printsthisanalysisartcausestheir pros andcons,extended tothe wholeartsystemforquestions.Innovationargument isfound thatthesenames andcategorieslimiting thedevelopment of the arts,and thecareful analysis ofreasoning, you can findthe name oftheproblemisto buildupa lot offalse, but onlya littlebitasidepseudo-problem,we cantouch thefundamental issuesofart,thento seekanswersand actions.Theprintsbut becauseofnaturalcauses,those who have beenforgottenfeaturejust totherightto practicethese issues. |