Suffering Narrative In Liu Zhenyun’s Novels

From Yanjin of Henan, Liu Zhenyun, from the last century eighty’s onthe literary scene, has aroused much attention in literary world.He around thehuman suffering has been writing, his novels are unique,because its sufferingperspective shows its own characteristics. A review of Liu Zhenyun’s creation,according to the content of the subject his creation can be divided into newreality series and the new historicism series, the former writing reality, thelatter writing history,the past and the present are all the scope of Liu Zhenyun.In the contemporary literary world, Liu Zhenyun is a high-profile writer, inhis novel world, suffering is one of its strong performance in theme, and thesuffering of the unique writing also let Liu Zhenyun become out of the ordinary.Research on Liu Zhenyun’s previous longitudinal, from suffering on thepoint of view, or from the narrative angle, but few makes two together fromthe overall perspective of the works of Liu Zhenyun. It is precisely because ofthis, this article attempts to cut into Liu Zhenyun’s works from the perspectiveof narration of misery. Around suffering, the suffering of the presentation andhow to go beyond the suffering of deeper chromatography research and analysis, this thesis tries to theoretically comprehensive and thorough analysis of the suffering world in the works.In the narration of misery, Liu Zhenyun expresses anxiety of the realityand despair of the history. In this piece of barren land, the villagers were affected by suffering of the history and the reality, which caused the alienation of the human nature.The suffering stubbornes from history till now, in which people could not escape from the cage of suffering. In the narrative strategy, from overlooking the sufferings of the people to heading up the folk sufferings,the change of the creation attitude reflects that depth and responsibility of LiuZhenyun. At the same time, Liu Zhenyun created characters, which perform direct impact and change from the suffering. With an independent school of characteristics of irony, adding a flicker of comedy in the heavy, the suffering hasreal quality and rich artistic characteristics. Liu Zhenyun can go deep into the realities of the world, while he can keep a distance of observation to the real world. He always has a critical eye to see the world, yet without losingwarmth color, which makes his works with the forceful ideological depth andwarm strength. Liu Zhenyun is a writer with a sense of responsibility to thenation and society, and he always thinks something stanging on the position ofthe nation. The more important is that he makes this kind of thinking intopractice, trying to find the way out and the future of the nation. From this point of view, the significance of Liu Zhenyun also belongs to the whole nation and to the China.