Research On Artistic Style Of Hou Hsiao-hsien’s Movies

Hou Hsiao-Hsien is a representative for Taiwan new movie, and is also the most energetic and creative vision and the most profound movie master. As an^priental giant, his films received from quite a lot of western movies, Hou Hsiao-Hsien has become the western film culture and the fusion of Chinese culture. This article selected topic, aesthetic style of Hou Hsiao-Hsien film attempts to comb systematically and expressed by the analysis of Hou Hsiao-Hsien film aesthetic qualities. In detail, Hou Hsiao-Hsien film aesthetic style characteristics, on the basis of analysis of Hou Hsiao-Hsien film aesthetic characteristics. Then back up and dig a source of Hou Hsiao-Hsien film aesthetic characteristics. Finally, the Hou Hsiao-Hsien film aesthetic style’s influence on China’s film and disadvantages are summarized. The full text includes five chapters.The first chapter:introduction. Discussed in this paper, the research purpose and meaning, summarizes the academic understanding of Hou Hsiao-Hsien film, put forward in this paper, we study the method.The second chapter:Hou Hsiao-Hsien film aesthetic style features, including:long, empty lens, tone, and fixed slots. Expression of Hou Hsiao-Hsien film has many characteristics of element, this article selects the most representative four elements from the aesthetic perspective of Hou Hsiao-Hsien film esthetics characteristics are analyzed. First, Hou Hsiao-Hsien with "long" is an expression of artistic conception and traits of the natural, composure and empty far, highlight the "unification" man and nature harmonious beauty, the wind ark to people in long way more, make a harmonious balance between static and dynamic figure, the results obtained by the influence of shen congwen. Then, Hou Hsiao-Hsien were analyzed in order to "empty lens" will be a kind of Oriental more subtle aesthetic feeling in the movie, show a kind of wanting more emotions and feelings, as the viewer takes on a "real" and "virtual" poetic beauty,"fuck me" in the foggy mountains and foggy sea is both films. Then, in black and white and gray mediates natural light at ordinary times, for example analysis.The third chapter:Hou Hsiao-Hsien film constant aesthetic characteristics. This chapter analyzes the Hou Hsiao-Hsien film constant aesthetic characteristics mainly comes from two aspects, namely to the pursuit of documentary aesthetics and lens as a vehicle for documentary. Throughout Hou Hsiao-Hsien film, documentary is one big characteristic, through documentary demonstrates the development history of Taiwan to the public, and for the figure depicts the documentary footage also shows the beauty of simplicity for the audience. Hou Hsiao-Hsien documentary aesthetics is through the lens to show, for this purpose, the paper analyzes the Hou Hsiao-Hsien how to express "natural realism" through a lens to the pursuit of innovation and breakthrough.The fourth chapter:the origin of Hsiao-Hsien film aesthetic style. The aesthetic style and aesthetic characteristics of Hsiao-Hsien film performance is not without foundation, has its history and the inner root, therefore, this chapter explored the source of the Hsiao-Hsien film aesthetic style. First of all, it is of the influence of the Oriental traditional culture. Hsiao-Hsien as a well-known filmmakers of Oriental culture, through the introspection of traditional culture and concise, formed the unique aesthetic style. Second, Hsiao-Hsien with a poetic quality and cultural objective expression ability. In his film, culture is a symbol, but also means, and the inner root lies in his ability to optical fiber, such as voice of poetic language. Once again, deeply influenced by buzan documentary aesthetics. Because by buzan documentary aesthetics in the "long" and "the impact of the depth of field lens", Hou Hsiao-Hsien film with aesthetic style shows the audience the real objective world, is the faithful practitioners of praise and learn.The fifth Chapter:Hou Hsiao-Hsien film aesthetic style to Chinese movies. Hou Hsiao-Hsien film not only belongs to his personal success, has a great impact on Chinese movies. Concentrated expression is:use "omit" technique brought a defect for movie narrative style, of beauty for the film into the rich and colorful beauty, bring the movie history and memories of the beauty of the atmosphere and bring a found that to the film, discovering the purpose of humanity.Hou Hsiao-Hsien as across Chinese and western movie master, its remarkable achievements derived from his introspection and profound understanding of Chinese traditional culture, especially the aesthetic style of the movie shows, worthy of respect and learning.