Study On The Acceptance Of Han Yu’s Poems In Early Ming Dynasty

This paper is concerned about the acceptance of Han Yu’s Poems in early Ming Dynasty. Han Yu is aquite famous person in the history of Chinese thinking and literature in the later societies. His mainactivities in political and literary areas happened in Zhen Yuan and Yuan He periods in Tang Dynasty. As aorthodoxy intellectual of Confucianism, facing to the extremely poor situation of the Tang after An ShiRebellion, especially as the absence of the succession for the Confucianism thinking,the ruling ideology ofcountry was in deep crisis, so Han Yu claimed for eliminating the erosion of Buddhism and Taoismthoughts, and proposed some feasible programs. literarily, he launched GuWen Movement, advocatedcreation the fluent prose of Qin and Han Dynasty’s style, confronting Parallel Prose, which were verypopular at that time. Consequently, promoting prosperity of prose in Middle-Tang Dynasty. In the historyof Tang poems. What is more vivid, Han Yu is another poet who contributed to poems tremendously afterLi Bai and Du Fu. The style of his poems is not only Xiong Qi and strange, but also fluent. The later writerscarried out series of studies on acceptance about Han Yu’s Poems and poems, that was Han Yu’s live, hisphilosophical ideas and his poems, which formed two peaks: Song and Qing Dynasty. Especially the HanXue of Qing Dynasty, which influences successive researches. Secularization in Han Yu’s Poems is notonly the effects of evolution of Middle-Tang’s culture, and also inspired Song poems. On the basis of theprevious studies, to analyze, induce and summarize the acceptance of Han Yu’s poems in the MingDynasty from the particular perspective of “the acceptance of Han Yu’s poems in the Ming Dynasty”, andtrying to seek for the deep relationship between the early Ming Dynasty poetry and Han Yu’s poems.The paper is divided into four parts, that is introduction, chapter one, chapter two, chapter three and aappendix.The Introduction section briefly describes the study origin, present situation and innovation of thispaper.The first chapter regards Confucianism in the early Ming Dynasty as the background, the trend is forthe early Ming’s desires to re-establish new cultural systems. Tang systems are extremely focused on, and a “Gu Feng” is strongly advocated in the whole country in an attempt to create a new culture for the newsystem; addition, the court also actively recruits the talented. These two factors together led to heavyemotion of the intellectuals in the early Ming, so in this case, the concept of literature and literary criticismtake on the Confucian emphasis on gentle wind, or revert to “Shi” role to re-establish the characteristics ofthe Ming Dynasty poetry. Song Lian, Wang Yi, Chen Mo, Zhu You, Su Boheng, Fang Xiaoru’sdiscussions.The second chapter is about Gao Bing’s Tang Shi Pin Hui. Gao Bing’s views of poetry and he learnedfrom Yan Yu. Gao Bing inherited both analyzes Yan Yu’s views of poetry and earned from YangShihong’s Tang Yin. Lessons focused on “Tang sound” are always the other systems. Some poetry GaoBing selected outstandingly stands for style of Han Yu’s poems. He said "his poems like lighting andthunders”, really accurately reflected the Han poetry style, this is just or for Tang history, or for the truenature of the Han Yu style.The third chapter focuses on Li Dongyang’s discussions. He is changing the culture of the MingDynasty poetry figure, the Huai Lu Tang Shi Hua is initially with the style on the characteristics of theMing Dynasty. The highlight of Li Dongyang’s poetic voice is based on the poems, focusing on poetrydistinctions. The positive changes of the status of Han Yu’s poetry have more discussions. The mostvaluable of Huai Lu Tang Shi Hua is Li Dongyang’s studies on the changes of poetry from Wei and Jin toTang and Song periods, focusing on Du Fu, Han Yu, and Su Shi.