The Morphological Analysis Of Theme Structrue And Development Techniques Of Zhanhao He’s Erhu Concerto "Mo Woman Fantasia"

Zhanhao he is an outstanding Chinese musician, world famous composers. He kept trying to shaoxing opera composer, and the shaoxing opera music as a symphony creation, this article analysis the "don’t worry about female fantasia zhanhao he in shaoxing opera" sorrow ", on the basis of the shaoxing opera music as the main material, produced the large music works erhu concerto "don’t worry about female fantasia. The author based on erhu concerto "don’t worry about female fantasia" as the research object, the work of subject structure and development technique forms are analyzed. In exploring how Mr Zhanhao he works for foreign techniques, reasonable reference to our national traditional techniques for effective inheritance.This thesis consists of introduction, text and epilogue. The introduction by the research purpose and significance, research status and research methods.The text is divided into three chapters:the first chapter is "zhanhao he and his" don’t worry about female fantasia ", Through the profile of the composer, create conditions and’s contribution to the national music creation, as well as to the erhu concerto "don’t worry about female fantasia the work of creation background and music sources, melody structure, make us more clearly understand the author’s ideas and wrorks to express the content; The second chapter focuses on zhanhao he erhu concerto "don’t worry about female fantasia in the structure and way of presentation, the theme of the music department of each part of the theme in the works of analysis in this paper, the basic structure, vehicle will be combined with the theme of the development process at the same time, from the level of the band with erhu works in each part of the theme in the statement must be on the way and structure of the analysis and description, to work on the way the sound level and its corresponding to basic analysis; Presentations of the third chapter is the second chapter, on the premise of central theme works as the core, according to the content of the music presentation layers of development and different stages of change, the central theme of the corresponding contrast and extension part, and related to these parts reflects the secondary concrete analysis in the form of thematic structure to understand his works structure internal logical relevance is dominant or recessive structure, focus on the theme of "don’t worry about female fantasia of the development of the related technique discussed and expounded.In addition, combined with the score and sound effects and background level, from his works explored in instrumental music works with Chinese style in the theme development practices form creation experience, for music creation after we play the role of reference and reference.