Research On The Musical Theme And Development Techniques Of The Orchestral "Xiansi·Yingxiang"

This paper mainly takes the author's orchestral work "string thinking · lingering thinking" as an example to summarize and explore the music theme and development techniques in the work,such as the analysis of sequence music,the induction of musical form chart and tonal layout,orchestration techniques and some structural characteristics of music texture.In the introduction,it mainly introduces the reason for choosing the topic,the significance of the topic and the source of creative inspiration.The creative inspiration of the work "string thinking · lingering thinking" mainly comes from some modern music works.The middle of the three movements has different processing methods.The first movement mainly uses some fast-paced melodies with strong sense of rhythm to present the music theme.The second movement not only continues the rhythm theme of the first movement,but also adds some singing melodies to present the music theme.The singing melodies are inspired by Frey's pavan dance music.The third movement echoes the first movement and uses many fast-paced melodies in the presentation part,In the middle,the technique of sequence music is used,which is inspired by Schoenberg's sequence music writing.The first chapter is to analyze the structural characteristics of the musical form in the orchestral work "string thought · lingering thought".It is divided into three movements to analyze one by one,and the structural diagram of musical form is attached.The first movement is the complex trilogy with the middle of the insertion part,the second movement is the single trilogy with the middle of the contrast part,and the third movement is the complex trilogy with the middle of the three tones.The second chapter mainly analyzes the tonal layout and harmonic color in the orchestral work "string thinking".The tonal layout is described one by one in three movements,and the tonal layout is attached.The mode layout of the first movement is the t-d-s-d layout,the mode layout of the second movement is the mode layout of the subordinate direction,and the mode layout of the third movement is the t-d-s-d layout.Harmony color is mainly analyzed from three aspects: chromatic interval harmony,parallel harmony and polyphonic harmony confrontation.The third chapter mainly analyzes the music theme and its characteristics in the orchestral work "string thinking · lingering thoughts",which is divided into three movements one by one.The first movement theme is mainly divided into two points to analyze and discuss.The first point is the banter first theme and its development,and the second point is the melancholy second theme and its development.The theme of the second movement is mainly divided into two points.The first point is the first theme of halftone and its development,and the second point is the second theme of singing and its development.The theme of the third movement is divided into two points.The first point is the first theme of dance and its development,and the second point is the second theme of centrifugal and its development.Through the above analysis of the music themes of the three movements,we can explore the characteristics of the music theme melody.The fourth chapter mainly analyzes the development techniques of the music theme in the orchestral work "string thought · lingering thought".The first section mainly talks about mirror image development,which is divided into three points.The first point is the reflection development technique,the second point is the retrograde development technique,and the third point is the reflection retrograde development technique.The second section mainly talks about the expansion and compression of rhythm.The third section mainly talks about theme counterpoint,which is divided into imitation counterpoint and contrast counterpoint.The imitation counterpoint also includes the complete imitation and change imitation of the sequence.The comparison counterpoint includes the rhythm comparison,melody comparison and timbre comparison techniques,to analyze the development techniques of the music theme.The fifth chapter mainly analyzes the timbre configuration in the orchestral work "string thinking · lingering thoughts",mainly from the three aspects of homogeneous timbre configuration,heterogeneous timbre configuration and the superposition and regression in the theme orchestration,to explore how the music theme in the work can be developed by means of orchestration.