"Life’s Discovery":the Screen Philosophizing From Reality To The "Minimalist"

Hong Sang Soo is the most original and independent spirit director of the world’s film industry in many of the first-class directors in the twenty-first century. Especially after 2004, his films are more often appeared in the world’s three major international film festival’s main competition unit and other units, and often award-winning. We can’t see Modern Art Film’s condescending attitude in Hong Sang-soo’s films, he in an almost clumsy, slow way of everyday life with nuanced "Scan" in an attempt to find some in a meaningless life "myth." Western commentators said his films like French films works best qualities of Korean director. As Korea’s first generation study director, he is good at the Western spiritual mastery to experimental cinema movies among this nation. In addition, as the director of the film, his shot films with very low cost, but there is always the big star actor to join. Digital photography, eating scenes, scenes of passion, relationships between men and women constitute the Hong Sang Soo’s classic movie scenes.Hong Sang Soo’s film career began in the 1990s during the Korean independent film revolution, the first part of this article from the Korean Film Development pedigree background since the 1990s to analyze the history of Hong Sang Soo’s film formation, combined with director Hong Sang Soo’s life, learning experiences, and his face shows Hong Sang Soo’s alternative in contemporary Korean film in contributions and positions in Korean film history.The second part of this article on the aesthetics of the creative process from Hong Sang Soo creative works are divided into sixteen pieces minister initial period, change and maturity, trying to sort out the Hong Sang Soo’s minimalist movie again sit on the sidelines to sublimate from realism style tracks.The third part of the paper describes Hong Sang Soo’s theme of expression and extension of the film, "the self-deprecating style of moral anxiety" and "useless anxiety:the same mistakes in the reflection of the" for the section of Hong Sang Soo’s movie dream, metaphor analysis, trying to get out of Hong Sang Soo’s perspective on love relationships between men and women, daily life and changing views.The fourth part of this paper, the narrative style and narrative structure of the film’s Hong Sang Soo analyzed in terms of language to express his mirror, unique elements and the use of film comedy film movies and plain language, etc. to express his language and style of the film mirror do summarize, analyze the design of the movie titles, the use of fixed-length lens and the zoom lens use and so on. In terms of narrative structure, the paper lists and analyzes several common forms of narrative structure Hong Sang Soo movie, focusing on exploring the Hong Sang-soo’s "Repetition and Difference Polyphonic narrative techniques."Like most independent filmmakers, Hong Sang Soo always sticks to his own belief and style of the film, which is rampant in today’s commecial world and even movies Korean movies are worthy of respect. He painted this microscope style way of life, but also to the film back to the exquisite handicraft and wonderful era...