From The Subaltern Writing To The Personal Intelligent Writing

This thesis mainly discusses the transition from subaltern writing to personal intellectual writing in Zheng Xiaoqiong’s poetry. Through the reason analysis, we can learn the basic trend of this transition. In the meantime, the thesis also analyzes Zheng’s gains and losses of poetry creation in this transition. Based on affirming the value and significance, the author dissected the problems such as “Aphasia” phenomenon in poetry writing and the coming of post-transition.The thesis consists of five parts, the introduction first introduces the current research situation of Zheng Xiaoqiong’s poetry in academia and extracts the starting point of thesis writing, which is the transition from subaltern writing to personal intellectual writing.Chapter One mainly analysis the basic connotation of Zheng’s poetry writing transition. Zheng’s poetry writing transition outstandingly performed by the expansion of poetry “writing domain”, the extension of writing object and the gradual change to an exquisite writing style. The writing objects of Zheng’s poetry extend from a narrow to a broad perspective by reflecting individual fates of working groups to living groups, and by changing presence self-narrative to criticism of alienation type. Meanwhile, from the change of words using, image-selection and means of expression, the change of writing style can be seen obviously. The poet gradually get rid of the early bold and unconstrained and then transformed into a diversification of exquisite writing style.Chapter Two mainly discussed the reasons of Zheng’s poetry writing transition. The thesis first clarifies the change and transfer of Zheng’s poetry writing space field. In her poetry writing, she gradually tend to resist the label name and the increasing of utility directivity factor in poetry writing process at the same time. This kind of transition also manifested in the audience level of her poetry. However, the process of transition didn’t lose the accurate grasp of original “Zheng Xiaoqiong style” of poetry language, experience and the way of expression. On one hand, the intrinsic evolution of time domain in Zheng’s poetry writing was manifested by the transfer of subjective time from narration of personal experience to individual imagination. On the other hand, the text time of poetry also turned from the objective expression of original survival time to the interlaced display of the history and future time.Chapter Three mainly studied the gains and losses in Zheng’s poetry writing transition. The mainstream discourse power of the poetry firstly constricted her poetry writing as well as the public criticism, which neglect the connotation of poetry text. In the meantime, “the post-transition” period is gradually coming. Although the author pointed out that we should be more cater to the mainstream discourse in poetry writing, this is the objective judgment to the weaken of social criticism on the angle of text meaning.The thesis finally points out the possibility of new changes in Zheng Xiaoqiong’s poetry writing. The author indicates that the research of Zheng’s poetry transition should be examined in diachronic space with the attention of grasp the synchronic space characteristic. In the future, I would like to continue to pay objective attention to the transition of Zheng Xiaoqiong’s poetry creation by the coexist vision of positive and challenge, with the critical angle which is rich in dialogic tension.