Rhetoric Research Of Yu Hua’s Novels

Chinese contemporary literature,Yu hua is second to none, in the vanguard literature and after his transformation, Yu hua has created many works with unique style. Since the beginning of late 80 s, the critic research of Yu hua’s novels has increased property, the theme is serious and profound,the form is flexible,they became the focus of academic research, but on the rhetoric, the existing research is still inadequate, so there is space to explore further. This paper is based on the research of Yu hua’s novel creation, using novel rhetoric theory as frame, from three aspects to study:the concrete rhetorical skills, influence factors and the rhetorical effect.The paper mainly divided into five parts. The introduction part introduces Yuhua’s position in the history of contemporary Chinese literature, the concept of novel rhetoric, the status quo and problems of Yuhua’s novel rhetoric research, and the aspects of Yuhua’s novel rhetoric research which this paper will study. The first is the novels’s macroscopic rhetoric skills of Yu hua, it uses The Research of Novel Rhetoric which written by Lijianjun as theoretical basis, he divides the rhetoric skills detailedly in this book. This chapter mainly expounds four aspects,including flexible perspective,the significant difference between distance control:in the front and rear,indifference of display and warmth narration. The second chapter analyzes the factors which influence the rhetoric of Yu hua’s novels, including yu hua’s literary view, yu hua’s personal experiences and yu hua’s era background. Yuhua likes to use the form of hypocrisy expressing truth during his pioneer period, these forms of hypocrisy affect his choice for novel rhetoric, after his transformation, Yuhua relaxes his attitude, his rhetoric also changed with it. The childhood exoerience is basics of Yuhua’s literary creation, it decided his direction, also, the background of times promoted Yuhua’s exploration actively for rhetoric methods. these factors summaried most from Yu hua’s personal essays and his interviews,among these factors, the creating concept directly determines Yu hua’s choice of novel rhetoric, personal experience and era background have the indirect effect, but its effectiveness will continue for a long time and it has no resistance. The third chapter mainly analyzes the macro rhetorical effect of Yu hua’s novels, limited to space, this chapter mainly includes the theme effect and moral effect two aspects, in the first section, to grasp the evolution of the theme, this paper tries to use rhetoric theory to fuse the themes which have appeared in Yu hua’s novels, from an overall perspective during his pioneer period, the theme of Yuhua’s novels have effects which the ideas is stronger than image, no matter the bloodshed and violence, or the fate and time, they are all the world’s real structure’s expression by the writer. after his transformation, the theme of Yuhua’s novels become more harmonious than before, the form and content have integrated. In the second section, this paper expounds the difference of moral effect between Yuhua’s pioneer period and after the transformation of the novel. In the beginning, Yuhua is infatuated with bloodshed, violence, and the logical structure of the world, his novels has no moral tendency, after his transformation, Yuhua’s novels become warmth, his works are filled with compassion. But in the twenty-first Century, the Brothers is an immoral work. The conclusion part summaries the significance and enlightenment of the rhetoric of novels of Yuhua. From a macro perspective and the writer’s point of view to grasp Yuhua’s novels creation is this paper’s highlight, it integrates all of Yuhua’s novels, and we can also find something in common.