The Function Of Musical Sense Of Hearing In Vocal Piano Accompaniment

The piano accompaniment is different from the piano solo art form, it is not only to show the melody of music, but also with piano accompaniment, harmony allocation pattern and balance and coordination of various parts to form a complete texture,The most common form of the piano accompaniment, the vocal music art is involved(such as solo, ensemble, choral accompaniment), because this form of piano accompaniment has through self-regulation to achieve and be the accompanist tacit understanding, Therefore, music has become an indispensable ability of piano accompanist, and play a crucial role in the process of the piano accompaniment. However, in the piano accompanist in many current, the blind pursuit of technology and skills, emphasis on performance, or despise their status and role in the concert, which ignores the music sense of hearing, the emergence of this phenomenon and the resulting problem has been more and more teachers and students and the importance of piano and vocal consensus. The main concept of this paper tries to discuss music sense of hearing, hearing the music in the piano accompaniment and the importance of the role, combining theory with practice, to make a further study of auditory sense of music, its important role in piano accompaniment in the article, to provide a reliable theoretical basis and reference data for the future study in this field scholars and practitioners of piano accompaniment.The main body of the thesis is divided into four parts: the first part, an overview of music hearing. This part mainly in the music sense of hearing the formation process and the implications for content, carries on the summary to the auditory sense of music. The second part, the importance of music hearing in the piano accompaniment. This part mainly from the importance of music for piano accompanist play importance itself and auditory sense of music for the piano accompanist and singer cooperation of the two aspects, discusses importance of music sense of hearing in the piano accompaniment. The third part, the role of auditory sense of music in piano accompaniment. In this part, firstly, through the analysis of music hearing, reading the action spectrum of piano pedal, use music melody of piano accompaniment, the piano accompaniment music sense of hearing for the role play is discussed; and then, through the analysis of music hearing in a subordinate position and the dominant role in the piano accompaniment, of discussion on auditory sense of music in piano accompanist and singer’s role. The fourth part, how to develop music sense of hearing ability in piano learning. In this part, the author unifies own experience, music sense of hearing in the form of two(music, music of internal auditory external auditory) training methods are summarized. The conclusion, the author from a professional point of view, and status of musical sense of hearing in the piano accompaniment in the role of customer evaluation and summary.