| This paper is based on contemporary theory about practical aesthetics, delving into Jiang Kui’s musical works in order to find out Jiang Kui’s aesthetic perspective towards music.The first chapter begins with the precipitation theory, evaluating the performance of gagaku in Song Dynasty and analyzing the original precipitation, artistic precipitation and life precipitation which are contained in Jiang Kui’s works. The second chapter begins with the ontology of emotion, evaluating the performance of folk music in Song Dynasty and analyzing the love,friendship and patriotism which are contained in Jiang Kui’s works. The third chapter begins with the theory of measure, evaluating the measure tension of gagaku and folk music harmony which are contained in Jiang Kui’s works. The fourth chapter begins with the influence of heaven and human combination, the infiltration of Optimism Culture and the orientation of Yue and He,exploring the traditional foundation of Jiang Kui’s aesthetic perspective towards music. |
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