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Influence Of Bertolt Brecht On Chinese Modern Dramas In The New Era

Posted on:2016-12-13Degree:MasterType:Thesis
Country:ChinaCandidate:X Y ZhuFull Text:PDF
GTID:2285330461992149Subject:Theater, film and television
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Brecht is undoubtedly the biggest most to play during the new period of our country’s western dramatist. He is also the Chinese drama mentor, appreciate the art of Chinese traditional opera, in the process of creation of his drama theory, to study Chinese culture, at the same time, our country in the new period drama is affected by his important. In the 1930 s, brecht has just been introduced to China, Chinese dramatists were somewhat curious, but a little bit of information is hard to imagine to brecht unique understanding, after entering in the new period, such as zuolin huang culture under the referral of famous artists, brecht truly become the theatre widespread attention. For many drama-artists, the study of the theory of brecht drama view against them after the formation of the vital role. Whether realism drama in the new period, to explore the experimental theater, or pioneer drama are deeply influenced by him.From henrik Ibsen, stanislav, now brecht. Different times, different social environment, these foreign drama everyone’s influence on the Chinese drama is constantly changing. In this article, we mainly talked about in the new period since 1978, brecht drama in China, the influence of the impact on the world of Chinese opera in China, we will shed light on the drama in the new period is divided into three stages:one is the cultural revolution in the early 80 s after the influence of realism drama; 2 it is to the end of the 70 s by the end of the 80 s to explore the influence of the drama; Three is in the 90 s to the influence of pioneer drama so far.Brecht’s theory was introduced into China from the 30 s, the development of more than 80 years, the study of the theory of the Chinese dramatists’ to him, stage practice never stopped, and in the process of gradually in-depth. In 2015 this kind of research still did not stop, form the reform stage, to explore drama deep meaning, thinking the future play a what kind of Chinese road to go. In the process of learning to brecht, we still have many problems to rethink.The first chapter introduces the brecht incoming process in our country, our country early to accept to brecht, how our country’s social environment, cultural environment, and the process of brecht was introduced into our country. Before the research results, straight brecht incoming a necessity in our country.According to the time period in the second chapter to the fourth chapter, will China play in the new period is divided into three parts, respectively is realism drama after the cultural revolution period, exploration period of drama in the 80 s and 90 s under vanguard drama. Through the analysis, introduces the representative dramatist, on the influence of the brecht drama in China.The third chapter to brecht spread in China for so many years since some reflection. The first is about brecht’s alienation effect, play to learn the essence of alienation effect in our country. Second as western dramatist, brecht drama theory in our country, what are the obstacles in the process of transmission. The third dialectical analysis, theory of brecht’s deficiency, or to the Chinese drama is not suitable for places.The fourth chapter conclusion to summarize the whole paper...
Keywords/Search Tags:Brecht, Alienation effect, Emotional resonance
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