Aesthetic Significance On Point Of View In Chinese Landscape Paintings

Point of view format is often not big, small position in the Chinese Landscap e Painting, but the meaning is not underestimating. Jiang Ji of the Qing Dynasty said in the "Reading Pictures ":"Act a cottage, view, character and bridge as the eyes of a picture."In the long river of history, point of view can change with times. It is as a whole in the picture, but also plays a major role in deepening and pointing out. Even acts as the eye of a Chinese Landscape Painting. The aesthetic significance on this research is to focus on the point of view of Chinese Landscape Painting. Different times have different a esthetic meaning of the period. The Point of view of Chinese Landscape Painting is also a carrier to convey emotion, idea,aesthet ic taste and unique cultural connotation of the author. It is also the performance of landscape painting "learning from the nature outside, earning in the heart of t he worker" unified artistic realm with me. Guo Xi mentioned in "the elegance of the bamboo and spring":" Water in the mountains, the pavilion is clear, to the fishin g spirit. Therefore, the mountains and water, more pavilions and lively, and open to fish ing, lay out of the landscape spirit", visible point of view where the sustenance of landscape painting, the point of view of Chinese Landscape Painting have many k inds, reflect the painter’s subjective aspect has fisher hidden outside,literati having party together, finding Plum blossom in the snow day and learning in the autu mn mountain. It reflects in the real picture, with pavilions, fishing boat, building bridges, the man of cutting fire wood, fisher man, literati, birds such as perfor mance.A kind of literati painter such as Ni Zan, worked picture by cottage, solitary booths, young men for performance point of view. He wanted to renounce the w orld, return to natural wonder.Chinese landscape painting painted by Shi Tao, Zh u Da, the vast plain text, revealed a bleak and seclusion, this consistent with thei r play mentality of indignation.The standpoint of my topics are the history of Chinese landscape painting an d point of view developing. It derived at the landscape point of view. According to landscape painting techniques and aesthetic significance of the different historic al period, combined with the historical changes of the contextual analysis.The ae sthetic significance on point of view is how to implement specific pavilion, chara cters, the bridge. This have to do with the social environment and the situation at that time,and what’s the impact on future generations and the contemporary.