From Real Scene To Point

In the modern architectural pattern,the pavilion is a simple building with small appearance and no walls.Due to the simple and convenient construction,it was built beside the mountain water by the ancient people.The pavilion is compatible with nature.The pavilion should be harmonious with the surrounding environment,emphasizing the Taoist thought of "unity of man and nature",and pay attention to its functionality.Because of its different characteristics from other buildings,the pavilion,with the development of philosophy,people pursue the yearning of spiritual life,and the spiritual value is constantly added by the ancient literati.In the process of the development of ancient culture and history,pavilions,as a point-view architecture,have rich spiritual implication in landscape painting,and also become a cultural symbol and symbol.This paper starts with the analysis of the origin of architectural pavilions and the system changes of ancient pavilions,and then compares the pavilion images appearing in the landscape paintings of various dynasties,and analyzes its formal beauty in the picture and its contribution to the expression of the artistic conception of landscape paintings.In the process of the pavilion image in the painting,the unique aesthetic connotation of "pavilion" in Chinese landscape painting is interpreted.