Analysis Of Zhao Songguang’s Five Tones Style Harmonics

In order to study five tones style harmonics,the passage is aimed at analyzing Zhao Songguang’s harmonics method on piano accompaniment and his way to dill with the relation of songs and piano accompaniment.The passage can be divided to four main chapters.The first chapter is to narrate the course of Chinese five tones style harmonics and its relation with Chinese mufti-voice music.The second part is to analyze the method of piano accompaniment and the usage of Chinese five tones harmonics. Firstly, I,from The Angle of the composition techniques,will analyze Zhao Songguang’s methods of piano accompaniment.Secondly,from the music accompaniment texture,I will try to conclude Zhao Songguang’s methods of application of the five elements. The third chapter is mainly to study the Harmony techniques usage of five tones styles,including the constitution principle of five tones style harmonics, the similarities and differences between five tones style chord and major and minor chord,the presented method of tonal,the design of the cadence,the development of the tonal,and the combination of classical and five tones style harmonics etc.The last chapter tells the the theory and the practical significance of the study of Chinese five tones style harmonics to harmonics development.