"The book of songs" is the source of Chinese literature works, it is the "model of constant", but for a long time and in "poetry" "by" the bear too much to bear the heavy, indoctrination pointer, allowing readers to the daunting. The thinking style let us mention "Guanju" is only to see the "Empress of Germany", speaking of "Meng" think about poetry. Get rid of the shackles of classics, the release of the "book of songs" the most primitive charm, is grounded for heavy human study of three hundred poems. Three hundred poems collection of magnificent thousands of plant and animal images, this paper will choose the flower images as the research object, on the flower image in "the book of songs" be read. Analysis of this paper is divided into four parts: the first is the concept definition, tracing the origin of imagery in the history of ancient Chinese literature, with time as the clue, makes a simple review of the "image" of the literary category. And attempts to explain the flower image in "the book of songs" specifically refers to what; secondly, summary flower appeared in the book of songs, from the plants of the biological characteristics and growth region to explain, and attach the relevant forms. In this part, the tendency of "the book of songs" interdisciplinary research, due to the limited knowledge of the reserves, the speech is still immature; the third, "the book of songs" is the source of singing flowers, is the flower of the imagery of the embryonic stage. In this part, the author will from "the book of songs" of the flowers in practical value, in order to spend Yu, in order to spend lyric, to flower Qixing angle to the origin of flower images germinal. Finally, from "the book of songs" flower image extraction of three types of Art-- the original image(Lotus), than Germany and Italy as(Tang Dizhihua), aesthetic imagery(peach) were analyzed, clarifying the flower image in the field of literature with the gradual maturity of the context. |