An Initial Exploration To The Literary Poetic:From Origin To Elements Interpretation

Distance is the key issues of aesthetics, "the distance produces beauty" has become the consensus of Chinese and Western aesthetics. Distance concept of Chinese classical aesthetic compared with distance concept of western aesthetic has auniversal feelings, more profound theoretical perspective, more rich spirit and wisdom of life, is a kind of ethnic characteristics of the Chinese esthetics. Embodied in the beyond the limited distance to infinity, pay attention to the actual distance to deep, Emphasize the distance and eliminate distance, expanding the "far" to be the concept of distance between synonymous, and enriched and developed the Chinese classical art. It is the aesthetic standards, state of art, but also made life for the universe, life goals. This paper will know distance, beyond the distance and distance as the starting point to construct the basic framework of Chinese classical aesthetics, divided into three chapters to discuss the types of distance, distance and "far" distance of artistic expression:The first chapter mainly from the spatial and temporal spatial Chinese classical aesthetics, back the source of theory Chinese classical aesthetic distance view, reveals the profound influence on the distance concept. Then using distance classification method of traditional aesthetics, introduce the space distance, time distance as the basic form of the natural temporal and spatial distance, analysis Chinese classical aesthetic understanding of the temporal and spatial distance, and the aesthetic effect of temporal and spatial distance, leads to Chinese classical aesthetics’ "be neither too familiar nor too distant". Then through the actual space to reach the heart level, through the comparison of Chinese and western psychological distance, psychological distance and the actual distance of mutual penetration, and in analysis of "the same" distance to eliminate distance, to dig the spirit and wisdom of the distance concept of Chinese classical aesthetics.The second chapter focuses on the core of the Chinese classical aesthetics concept-"far distance". Chinese classical aesthetics does not appear "distance", chose "far" as a synonym for distance values, has its own reason, is a unique creation of Chinese classical aesthetics. Based on the basic connotation of the "far", Chinese classical aesthetics "is still far not near". Concluse that Chinese classical aesthetic distance beyond the limited to the infinite, beyond the quality to nihility. in the interaction of the "far" and Chinese poetics, Chinese metaphysics, deepening understanding. However, the "far" does not mean remain stagnant, in travel and return to implement the circular, found the ultimate goal of the distance values -- freedom from the mind, life lasting forever.The third chapter focuses on analysis the performance of distance concept to Chinese classical art.From the actual distance, psychological distance perspective to the art of classical garden, classical painting, classical opera performance, which can break through the distance. Deduct that the art of classical gardens create artistic conception as foundation, the distance plays a very important role on the scene; classical painting choose "far" as the core to construct the far space, develop a large number of "far" theory, and creat the rich connotation of the "distant prospection"; because of its special form, traditional treats the actual distance, distance, emotional distance form as a whole, find the balance point between the distance and resonance.The conclusion will summarize the value, the modern significance and rich wisdom of the distance concept of Chinese classical aesthetic, from the view of outstanding nationality, broad and the feelings of the universe, and put forward the problem domain for further study, to construct the theoretical framework of Chinese classical aesthetics.