| The article tells something about Guan Liang and Gao Made who have great effect on their own creations. The passage mainly does some research on their art language, their painting form and painting techniques. The content is very useful for painters to create valuable Chinese Painting. The paper analyses several typical painters’ formal language in their Chinese opera figure painting in modern times. The paper states the present situation of the Chinese opera painting very clearly. It summarizes the creative rules and the features of painting techniques. Through studying the characteristics of the painting skills, the passage draws the features of Chinese opera paintings.The paper can be divided into four parts. Part one is about formal languages of the opera paintings. Part two is about Made. Part three is about the development of Chinese ink opera painting. From this part, we can know the age features of present Chinese ink opera painting. The last part deals with creative methods and some experience. |
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