Research Of Painting Aesthetics Of Wang Hui

Wang Hui was a very influential painting artists in the Qing Dynasty, he was not only a painter, but also a great painting theorist. His theory of painting expressed in his nearly 200’s painting inscriptions. In these painting inscriptions, his unique painting aesthetics fully reflected.In order to meet the needs of society in the early Qing Dynasty culture to the traditional regression trend, Wang Hui advocate the excellent traditional learning the ancients in painting, and discover new vitality in the process of learning the ancients, so as to promote the formation of new aesthetic consciousness. To further strengthen the emotional characteristics of artist Wang Hui in the body, the characteristic of closure of the emotional connotations also began the transition to the open type characteristics. To express their feelings through painting features in Wang Hui’s aesthetic ideasfurther developed, evento the height of painting philosophy.Based on the aesthetic perspective, research is made to the painting aesthetics of Wang Hui from the three layer:(A) The creation subject should have superb aesthetic accomplishment. Firstly,Wang Hui emphasized the spirit edification of "qian shen ku zhi,jing yi qiu zhi", intended to explain that only in the freedom of mind can accept things to heart and move into the emotion, that the aesthetic experience can be achieved. Secondly, Wang Hui pays attention to subject internal self-cultivation, external accumulation, both inside and outside the intersection of life,also expand the scope of life. Finally, Wang Hui pointed out that the aesthetical artists use "Xinghui" coupling, can achieve very high realm.(B) The painting body should show unique space awareness. Wang Hui advocated the use of Jane light ink,picture of yin and Yang and the philosophy behind it, the body painting show "Wonderland small, small in the big" space consciousness.(C) The painting body should reach the highest realm of aesthetic. Wang Hui believes that painting is not only to have their own "taste", more to have not adhere to the ancients "unexpected interest"; secondly, everything in the painting are reconciled to show true beauty; again, Wang Hui will make "Artistically" as the life of painting, also the central aesthetic category; finally, Wang Hui will let "Yi" as the the body painting and the creative subject‘s spiritual realm.Flaunt the times and self-conscious emotion quality of the painting, is the mark of Wang Hui to the development and strengthening of traditional literati painting, this is the era of progress. Wang Hui has a unique fickle and innovation in a retro way, although the painting theory to explain the phenomenon of ancient art and literature, praise the ancient despise modern, can not bold to express personality, have their own limitations, but retro road also achieved Wang Hui become a generation of painting of Saint.The painting aesthetics greatly influenced later painting creation.