The Novels Of Female Manchu Writers In Contemporary Literature

As an ancient ethnic minorities, the unique national culture and national history gives splendid Manchu women writers creation advantage be richly endowed by nature, although the wheel of history rolls on, but the essence of the female writers in national brand did not fade with the social changes and the passage of time. Manchu women writers have a female identity, ethnic identity and the identity of intellectuals in three dimensions of these three kinds of identity, identity conflict and fusion: the female identity makes the family leave a unique mark in the unique Manchu women writers female memory, and showing a "human liberation of human nature-- up three stages-- character" ethnic identity; makes them feel a kind of flowing in their blood from the ancestors of the show; intellectual identity makes them bear the mission of intellectuals, writing to be behind the official forgotten folk history and history of men covered women history. Sometimes the coupling in these three kinds of identity, and sometimes confrontation eventually form the unique narrative Manchu writers of rich and colorful and full of tension. This paper is divided into four parts, respectively, to analyze from the theme, artistic expression, the type of the value function and the reflection of the four different dimensions of contemporary Manchu female writer of novels, and then observe and Reflection on the contemporary literature Chinese minority.The first part of this paper with the deductive method in order of time combing the Manchu women writers novel creation in the new time topic types. In the history of the nation’s culture, contemporary Manchu writer much preference and good at grand historical narrative: as women outline of female family history memory; as they remembered the Manchu Manchu ethnic history; as intellectuals they mining by edge history book cover. They walk in between ethnic identity, female identity and the identity of the intellectuals, the narrative tension in the three show them to grasp the historical perception.The second part of this article is the use of detailed reading of the text analyzes the artistic expression of Manchu women writers novel creation in the new time. First of all, in the pursuit of narrative, as a woman, as a minority women, affected by its own memory and national identity, contemporary Manchu female writers became the female narrative and folk narrative coupling place, fusion of female memory and national experience and hook the narrative shows a very penetrating multilayer narrative space and the narrative tension. Second, in the characterization, as the Manchu people, as the intellectual, rational thinking of Manchu women writers use the modern intellectual women to have a blood in Manchu feeling at the same time, all kinds of shapes reflect the historical figures, with a broad humanistic feelings back an ancient nation’s past, look forward to a good future of the nation. Again, in the language style, growth, living in Han culture circle of Manchu women writers in the feeding of Manchu culture and Han culture has a dual cultural thinking, his literary language has a unique style.Methods the third part is based on the theory and the combination of text from the feelings, narration, culture and the aesthetic value and the function of four dimensions of Manchu women writers novel creation in the new time. First of all, the Manchu women writers inherit the ancestors of human blood in the gene, they go to view the history destiny, light use of the unique writing attitude, for the weakness of human nature into the humanistic care deeply. Secondly, the female writers in contemporary Manchu female narrative to undertake the folk narrative in the works, and make a further exploration of the folk narration, which shows the connection of history and reality of the survival of women. Once again, life in full, the female writers of Han culture in the culture against the background of multi culture of the Chinese nation, reflects their dual cultural psychology. Finally, the elegant and vulgar inheritance for the Temple Street between aesthetic tradition of contemporary Manchu female writers have refined aesthetic taste.The fourth part of this paper summarized and reviewed the Manchu women writers novel creation in the new time. This chapter from the perspective of cultural globalization of contemporary Manchu women writers identity as a female creation, from the perspective of Manchu identity ethnic identity as a female writer’s creation, reflects the contemporary Manchu writer from the society as a point of the intellectual identity creation, and then show the vitality and creativity of contemporary Manchu writer life and growth in nature.