Female Writers Of Chinese Literature’s Writing And Self-identity

This paper takes Yan Ge ling,Zhang ling and Zeng xiao wen as study object.Taking self-identity as the starting point and base on texts.From identity,body,history and freedom to research female writers of Chinese literature’s writing changing mode.Trying to explain the psychic tracks behind self-identity.It include lost and anxiety,find and discovery,reflection and construction,understanding and beyond.These four stages are revealing the essence of two sides are related,also definite the effort and limitation from self construction.So that it could build the overall framework of female writers of Chinese literature and self-identity.This paper has six parts.An introduction part explained two core conceptions.They are female writers of Chinese literature and self-identity,also point out two conceptions are related.Make it clear that take Yan Ge ling,Zhang ling and Zeng xiao wen as study object.And then summarize the study of current conditions about female writers of Chinese literature and self-identity.At last clarify this topic research meaning and methods.The first chapter discussed identity writing and self-identity.Revealing the traits of anxiety and lost coexist about female writers of Chinese literature’s the early writing.Regard Yan Ge ling,Zhang ling and Zeng xiao wen as example.The sensitively knew that the shock to self-identity from globalization,the sense of identity has becoming the first stage.Females from Yan Ge ling,Zhang ling and Zeng xiao wen’s books are facing the common difficulties of double identities.The difficulties are those females as cultural homeless and vulnerable gender.Writing about lose voice and roots,non-rationality and normal behind the lack of self-identity.The second chapter discussed body writing and self-identity.This part shows the traits of seeking and finding.With the life transplant to relieve anxiety and lost.Female writers of Chinese literature are getting rid of the external force like culture,gender.They chose to put body insert into writing.The body writing trough melt into females life experience to find themselves.This chapter concentrate on Yan Ge ling,Zhang ling and Zeng xiao wen how to use theirs body experienced traumatic growth and breeds to discover themselves track in females life.By the way follow this track to find determination and courage about the main part existence.The third chapter discussed history writing and self-identity.This part show the self-identity mode of reflection and construction.Under the backgrounds of the poetics of culture and feminism,female writers of Chinese literature are depends on the time and space distance and multi-narrative strategy.Through research left behind women in Gold mountain blues,the image about motherland in The Lost Daughter of Happiness,and the independent woman in The days of immigrate.They are going to rewrite or subvert the history of immigrant.Using autobiography writing rebuild women memories to achieve self-treatment and integration.Through the writing about maternal family history to realize return and self-construction.The fourth chapter discussed freedom writing and self-identity.This part especially show the traits of new stage about self-identity.They are understanding and beyond.To solve the brand new plight and crisis that female writers of Chinese literature are faced.Regard Yan Ge ling,Zhang ling and Zeng xiao wen as female writers of Chinese literature representatives.They are aim to research humanity deeper and more extensive,also to surpass the languages and stylistic boundaries of the freedom writing.The conclusion part concluded the dynamic process and overall framework about female writers of Chinese literature’s writing and self-identity.Revealing the essence of two sides are related,also definite the effort and limitation from self construction.Female writers of Chinese literature’s writing is aim to seek a writing that beyond gender,race and culture,and regard self as reflect basic point to achieve final identity about modernity.