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Zhu Guangqian "Substance B" Aesthetic Object View Implications For Watercolor Painting

Posted on:2016-11-24Degree:MasterType:Thesis
Country:ChinaCandidate:D M QinFull Text:PDF
GTID:2285330464959152Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
"Substance B" is an important concept put forward by Zhu Guangqian study, it is Zhu Guangqian of the Chinese traditional culture "image" while a deep understanding of the concept of philosophy, psychology as the basis of modern aesthetic theory of Western New bold After careful analysis will eventually absorb criticism perfect blend of both. "Substance B" as the "aesthetic object" through "aesthetic experience" or "art appreciation" of the entire process. As a product of artistic creation is the process of the birth of its artists from thought to action trajectory change process. It plays an important role in this process is an important factor that is objective and subjective factors, "beauty" impact. As the creator of the watercolor, the "beauty" in the pursuit of every true faith watercolorists. A thorough understanding and analysis of the "B was" an important factor in the important thinking process, as well as "material B" behind the bearer of deep meaning or form more sacred art of exactly how we create outstanding works of art of this particular issue provides an important clue. From "Thing B" research starting from the "beauty" of the body, taking the highly aesthetic and ideological practice from both watercolor investigate possible problems there. And finally concluded that to obtain enlightenment.
Keywords/Search Tags:object B, aesthetic objecta, esthetic experience, drawing creation the main object of unity, chinese characteristics
PDF Full Text Request
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