Between Reality And Non-reality:An Analysis Of Creation Method In Lu Ling’s 40s Novel

In the history of modern Chinese literature, Lu Ling is a writer under the spotlight and of controversy. He is a unique presence in the 40’s, and was known as the Revolutionary Literature "alien". As a writer, Lu Ling has consciously as a writer; as an explorer, Lu Ling has been on the quest, exploring new forms to express social reality, souls of characters. On the one hand, Lu Ling has been committed to the pursuit of realism writing style which right faces the reality and social life; On the other hand, both in the forms of literature (such as the objective and the subjective of mutual infiltration, Europeanized language, narrative and lyrical and etc) and in terms of content (pay attention to the spiritual world of the characters, the analysis China people "spirit of the trauma of slavery"), Lu Ling exhibits different characteristics from other realistic writers. Lu Ling’s 40’s works have two obvious clues:reality and non-reality, which is the main difference. In the 40’s in the works of Lu Ling, reality and non reality theme profound factors to the formation of the dialectical relationship between the depth and the cross, so that his works show the reality and non reality. It is also because the mix of reality and non-reality of various factors, the creation method of Lu Ling’s novels presents the 40 characteristics of complexity. This paper, based on specific texts, studies creation methods of Lu Ling’s novels 40.Besides the introduction and conclusion, the whole paper is divided into three chapters.The first chapter discusses the origin of Lu Ling’s realism creation method. The formation of Lu ling’s realistic writing method is affected by many factors, including Lu ling’s life experience, Lu Xun literature, social reality, Hu Feng realism theory, foreign literature. Although Lu Ling’s literary creation influenced by many aspects, Lu Ling has his own unique insights. Although his thought of literature and art have not formed a complete system, we can get his basic understanding of literature and art from several papers, which is also the focus of this chapter.The second chapter mainly discusses the complexity of Lu Ling’s novel creation method. This article mainly from the objective and subjective infiltration, rational and emotional content and form of integration, interleaving, narrative and lyrical complexity, and with normal and alienation of writing these five aspects to the performance of Lu Ling’s novels show 40. The complexity of Lu Ling presented in the exploration of literature is a new breakthrough of realism, as Chinese modern literature adds another possibility, is "another kind of sound" in Chinese modern literature.The third chapter focuses on the analysis of Lu Ling’s advantages and disadvantages of his 40’s novels and its paradox. Exploration is not always correlated with success, all sorts of problems may along with it, which can deepen our understanding of the history of modern literature and various complex literature phenomenon.Creative method is not hereditary. The formation of a writer’s creation methods will be affected by many factors, Lu Ling is of no exception. At the same time, as an explorer, Lu Ling has been making efforts to seeking the most suitable way to present the world. Thus, the creation method of Lu Ling’s novels is filled with complexity. Complexity often occur with problems, which presents the gain and loss. In a word, his unique writing pattern, adds infinite possibility to the 40’s Chinese literature, Which is a scenery of great beauty.