Self-renewal And Social Adjustment Of Traditional Festival Culture

“A Temple Fair of Plate”, is a grand folk cultural activities which ispopular in Village Mu and suburban of Liulin in Shanxi Province，which isconducted by Liulin locals to reward the God; Traditionally, The LanternFestival and grain bin filling festival day is the time pattern of “a Temple Fairof Plate” show. Now, with the decline of grain bin filling festival, the show of“a Temple Fair of Plate” Mainly composed of the Lantern Festival. In2008,“aTemple Fair of Plate” officially listed in the category of state-level non-materialcultural heritage protection. This thesis based on the analysis mainly withfirst-hand information gained by the fieldwork and combined with the limitedliterature, through this case, we can research how to realize self-renewal andadjustment of the traditional festival culture under the situation of thecontemporary era. And then try to explore the historical origination of behindit.This paper is divided into five parts:The first part is preface, mainly introduced the selected topic origin、thesignificance of the topic and so an, and introduces the fieldwork site where thegeneral situation of this topic, Liulin.The second part is the space and time about “a Temple Fair of Plate” artshow pattern in the context of Liulin community. Combing the historical traceof “a Temple Fair of Plate” to the survival situation of modern society and itsinheritance; From the Angle of intangible cultural heritage of “Plate” plastic arts, space and time performance and the present as the spirit of traditionalfestival symbols.The third part is the self-renew of “Plate” and the traditional festival. Thispart is analysis of the social function and transmission power about the “Plate”in-depth. By reforming the traditional festival art landscape restructuring ofLiulin to expound “Temple Fair of Plate” of the history of change in themodern society; From the visual Angle of “Plate” as people of faith carrieranalysis “a Temple Fair of Plate” inheritance. The part pointed out that “aTemple Fair of Plate” as a region landmark culture of Liulin with the social andcultural function. And then interpretation the traditional festival culture to adaptto the development of contemporary society, which “a Temple Fair of Plate”renew itself and social adjustment.The fourth part is focus on the cultural heritage of “a Temple Fair of Plate”makes a preliminary study of reality. Based on the "Plate" culture reproductionperformance as the core of community culture, as well as "Plate" artists on theanalysis of the traditional festival cultural space reconstruction, study thehistory of contemporary social adjustment of traditional festival culture.The fifth part is the conclusion of this article. First of all, summarized thisarticle, indicate the Liulin “Temple Fair of Plate” as a large-scale culturalactivities of the successful cases of traditional festivals. On the one hand,“aTemple Fair of Plate” is a sign as a local cultural heritage power is there bodyparticipation; on the other hand is “a Temple Fair of Plate” in the transferprocess with political ideology, market economy, on the part of the interestrelations between people, for its own survival and development, and in the endunder the guide of market economy, the “matchmaker” reached a win-winsituation.