The Analysis Of Compose And Playing Based On Gabriel Faure’s Piano Nocturne

Gabriel Faure (1845-1924) was one of the most significant impact French composers inthe19th century. He created many, covering almost all types of music such as the piano,opera, vocal divertimento, theatre and Music Orchestra.Piano is one of the most importantareas of Faure‘s creativity fields. His piano works include the thirteen Nocturnes, thirteenBarcarolle, Sicilienne Op.78, four Valses Caprices, Dolly suite op.56, six Impromptus,musical comedy "Apres une Reve"Op.7-1and so on. Faure‘s piano works with beautifulmelody, harmony rich colors. This paper studies the piano creation that one of the mostimportant areas-Nocturne. Faure’s made thirteen nocturnes over his lifetime. Nocturne,covering almost his entire creative career, and the thirteenth nocturne also the last one pianoworks of Faure.These nocturnes based on creative time and writing style are divided intothree stages. The first stage of the works Faure inherits Filed, Chopin and other predecessorsadvantages, but, he also developed a unique French sophistication nocturne style; secondstage is the innovation for Faure. It is the composer important period, Faure attempt a varietyof techniques, such as expansion of the song structure, increasing the song among the rich andbeautiful music section in this stage; with increasing the age, experience deepened, In Faure’slater years in other word the creation of the third stage. His melody of nocturnes from simpleinto complex. His attention to the symbolism of the motive, although the song texture simple,but it contains a wealth of emotion, Faure listed in the fusion of music creation the Symbolistpoet and creative approach Impressionist paintings, so as to develop a new musical language,with its unique French-style writing style will nocturne developed to a new historical high.Faure inherits the French musical tradition, his nocturne in melody writing temperate andmoderate, melodic motives unfold concise and expand diverse, Faure cleverly church modesof use and multi-part integrated into the Nocturne writing among. Faure developed thetradition of French music characteristics, constitute the opposite with the Impressionists,elegant, lyrical temperament. Although sometimes seem a little conservative, but it isundeniable that blessing always work out the most flavor of the music of the French, longlasting. Faure is a real “Pure Music” musician. In this paper, the thirteen nocturnes of Faure are the main object of study. Be analyzed bythree parts. The first part of the Faure’s life and nocturne historical origins and development.The second part is the Faure’s aesthetics of music and "nocturne" creative artistic features.From the periods of division Faure‘s nocturne, music and other aspects of their creativethinking style. And an example of the analysis of spectra based on the Faure’s “nocturne"music analysis techniques. Through the harmony, melody, rhythm, texture, rhythm, and manyother aspects of the analysis to compare the music of Faure. In explaining its artisticcharacteristics, based on the work of my own playing experience, playing techniques shouldbe mastered to interpret. This is the third part of the contents of this article.This paper intends to detailed data and a rich spectrum of cases, based on who occupies animportant position in the history of music musicians for analysis. Faure as a sensitive, poeticcraftsman, to offer a large numbers of rich research valuable piano works. I hope this multi-angle systems researchcould helpeveryone get deeper understanding of the music history ofFrance.