| Speaking of the flute, it’s not hard to think of the bone flute in Henan province, itis the product of the early social development of our country. The bone flute calledeagle flute, material is made of eagle wings bone, spread in ethnic minority areas inour country, often used when grazing leisure entertainments and for people enjoyingthemselves. Flute in via the Slavonic transmission of Asia, it brought to Europe, so theearliest western flute was invented in Germany, They also called German flute. In thelate19th century and early20th century, the new trend and new technique wasintroduced into China, the flutes have been the western instruments, flutes from theincoming so far has a history of more than hundred years. Since the founding of thePeople’s Republic of China to the beginning of the20th century eighty, our countrysocial economy development in big strides, Chinese flute art under the background ofsocial prosperity also got a great progress. As China’s social reform opening up, socialhad a development and progress, makes the Chinese and foreign music exchange hassaid, the flute as a niche of foreign Musical Instruments, in China has entered a newperiod of development. Flute this single melody of the niche of instruments, liketrumpet, clarinet, Musical Instruments, its music in contemporary Chinese society tothe spread of a diversified development. In the paper combining with the flute timbrefeatures a unique, compared with ethnic Musical Instruments of the bamboo flutetimbre, the flute melody of singing characteristic, in the Chinese music society andthe development of communication with the music element analysis with Chinesecharacteristics, which demonstrates the flute has for its survival and development ofsoil in China, China’s social environment also has to appreciate its audience. Byanalyzing the flute art can attract the audience to spread the essence of thedevelopment, and further demonstrates the music sociology point of view, namely, thedevelopment of things follow the objective law of social needs.This paper is divided into five main parts:First is the introduction part, including the research origin, the purpose of thestudy and research methods. To research the flute art phenomenon and the perspective of a few kinds of generalizations, suggests the direction of their research, which leadsto the relevant theories of sociology of music, their new research perspective.Through the ontology of flute narrative structure, combined with the Chinesecharacteristic ethnic music analysis, show its research purpose. Thesis mainlyanalyzed literature study, comparative research and case study method to research thepath, from a new theoretical analysis on the vision.The second part expounds from two aspects, the first section is an overview ofthe spread and development in China flute art, including the development of thehistorical development of the flute and flute and spread ways, to a summarizedaccount of the history of flute; Is music sociology in the second quarter of the20thcentury in China development situation, this paper the development of flute art in the20th century in China and spread. Including the subject knowledge of the musicsociology.The third part is the main part of the thesis, through the music sociologicalperspective to analyze the localization of Chinese national art of flute. Pass throughthe production structure of the flute, flute art will beg, flute music through thedevelopment of the communication model in Chinese music creation flute music inChina is described in this paper the characteristics of the development in the society.The first section, from the Angle of the sociology of music analysis, including theflute music creation of the behavior of the positive initiative, flute performanceproperties of production behavior and multiplicity and flute art in music education,music reviews the servo production; The second section, mainly from the flute inChina’s development has the characteristics of as well as the flute work style andtheme of the two aspects will demonstrate the flute art through the development of thecommunication model; The third section, the main mode of Chinese music from aflute art creation, according to the analysis of the flute itself characteristics, with thecomparison of bamboo flute and flute timbre of Chinese music in our national musicelement analysis, so as to demonstrate the spread of the flute and development cannotleave the combined characteristics of localization with Chinese national art. The fourth part is the music of the flute art phenomenon sociology analysis,through the music sociology point of view on the Chinese localization of flute, doanalysis from the perspective of music professionals, including the emergence of thesocial dynamics in the music professionals, social demand, music music professionalsemployed in the spread of professional groups in this paper, the flute music in thespread of the Chinese society to develop various reasons; Is in the second quarter offlute art localization in music sociology view of the development of thinking, whichleads to the final conclusion.Localization in the conclusion part is the flute of China national music sociologyview spread development thinking, through analyzing the appearance of the flute artfinal conclusion: as a niche instruments flute, popular with the masses in China, andto develop a spread because comply with the demand of the public in multiple ways,and based on this conclusion will be extended to all kinds of instruments and thedevelopment of things, only adapt to the demand of the society, the development ofdiversified and change to get a better spread and development of the flute art.Extended to other art theory can be concluded that any other form of art phenomenon,no matter how time and space changes, to follow the common objective laws ofdevelopment of things, namely the music sociology theory system... |
PDF Full Text Request