Research On The Development Of Chinese National Vocal Music In The 40 Years Of Reform And Opening Up Based On Sociology Of Music

Chinese national vocal music is a Chinese style singing art with its long history as its origin and its unique language as its aesthetic principle.It attached to the Chinese people's aesthetic orientation as well as labor and the crystallization of the wisdom of people,represented the temperament of the Chinese nation,the nation's disposition,40 years reform and opening up,at the same time of times development and the social changes,changes in the development of mass aesthetic idea also quietly,all of these made a tremendous impact on the development of national vocal music:creation has produced a large number of outstanding national vocal music works that sing of a new era.The performance of both the traditional singing method of bright and sweet and western bel canto singing transparent mellow;In the aspect of education,a large number of national vocal music educators such as jin tielin,zou wenqin and ma qiuhua have been produced,and a set of perfect education and training system as well as complete singing skills have been established.Music sociology theory,this paper expounds the development of national vocal music in the 40 years of reform and opening up,clarify the 40 years since the reform and open policy,national vocal music production,dissemination of the achievements of all aspects,and grasp the development process of a rule so as to reflect on the problems of them,and then put forward some proposals on the development of national vocal music.This paper is divided into five parts:Part I:introduction,clarify the research background and significance,research status,research contents and methods,clarify the sociological connotation and research content of music;Part ii:overview of the development of national vocal music in the 40th anniversary of reform and opening up,combing its development context,analyzing its development characteristics,and summarizing its contribution value;Part iii:the production of national vocal music in the 40 years of reform and opening up from the perspective of music sociology,including the production of national vocal music creation,singing and playing,and the production of national vocal music servo;The fourth part:from the perspective of music sociology,the communication and career of national vocal music in the past 40 years of reform and opening up,expounds the technical communication and network communication of national vocal music,lists the practitioners of national vocal music education who have made great contributions to the development of national vocal music since the reform and opening up,including the educators and singers of national vocal music;The fifth part:thinking on the development of national vocal music art in the 40 years of reform and opening up from the perspective of music sociology.