On The Spread Of Xiqin Musical Instruments From The Perspective Of Musical Sociology

Xi Qin,as the representative of bow string instruments in ancient China,is also the predecessor of erhu,Banhu and other percussion instruments,which are still active in the stage of national instrumental music.It began in the Tang and Song dynasties.According to the historical documents of the Song Dynasty,Xiqin instruments were widely used in court ensemble and folk performance at that time,and their skills reached extremely high areas.Xiqin originated in China and was introduced to the Korean Peninsula in the 14 th year of Huizong in Song Dynasty and the 9th year of Ruizong in Koryo Dynasty(1117),and then disappeared in China.Secondly,the current academic research on Xi Qin mainly focuses on the body of Xi Qin musical instrument and its development history.This paper is different from that of Xi Qin.Based on the development and communication of Xi Qin,this paper combines the development and communication of Xi Qin in history with the discipline of music sociology to analyze and summarize.From the perspective of music sociology,it focuses on the development and communication of Xi Qin and the social development and communication The relationship between the two-way movement,from the positive initiative of Xiqin communication,the rise of Xiqin as a music commodity and a music career,the "sharing" of Xiqin music and other aspects,deeply excavate the social motivation of the change of Xiqin's development direction and trend in the communication process,and provide some sociological theoretical support for the development track and direction of Xiqin instruments.It shows that Xi Qin's communication and development in the long history conforms to the objective law of the development of music sociology.Xi Qin's communication and development is the product of the interaction and exchange of music culture of all ethnic groups in China,the demand of Chinese social spiritual culture and the product under a specific political and cultural background.Xi Qin's artistic phenomenon in the process of development shows that it fully conforms to the development law of musical sociology.In the process of development,Xi Qin has insight into the needs of music in different periods,constantly changes and merges,catering to the spiritual needs of various nationalities,times and regions,so that this instrument can continuously develop and integrate with othernationalities and regions' musical instruments,and Our development field is full of vitality.