Analysis Of Chinese Landscape Painting In Wangshan Creative Thinking

Zhuangzi "Heaven and Earth" has a "xiang wang xun zhu" story, and finally "xiang wang"find the lost Emperor xuanzhu."xiang" that image,"wang" that empty,"xiang wang" is no image,in the image of it is because of careless, is not deliberately go looking for traces of it, but in orderto eventually be able to find it."wang" and empty has a special meaning and connotation, whichdepart from the Chinese philosophy in Chinese philosophy permeate many aspects of Chinesethought, culture, art and so on. Literati painting was able to become an important form ofChinese painting, and this emphasis on "empty" is closely related to aesthetics. Chinese Scholarsand mountain has an innate temperament congenial, so recluse always love Chinese literati andlandscapes accompanied."wangshan" inspired by Chinese literati painting, drawing thelandscape in the form of grilles and culture portal "square and round" shape, the materialexpression of selected porcelain prime tires. With the "wangshan" creative depth author forChinese literati painting to convey the relationship between man and man, man and society, manand nature have a new thinking, triggering the people dwelling in today’s modern city ofreinforced concrete a thinking state.