Study Of The Qing Dynasty "Nineteen Ancient Poems" Criticism

“Nineteen Ancient Poems” is a model of the ancient lyric poems, which represented the highest achievement of the Han literati poems. “Nineteen Ancient Poems” to show the outstanding artistic achievements and great artistic charm won the “three hundred poems” and put on a par with the immortal position for her, be regarded as “wife” and “wind”, famous through the ages. Therefore, study on the poems spread nineteen poems and its influence has important significance. In this paper, in the writing process, on the one hand, accept the western method and from the perspective of aesthetics, on the other hand, contemporary scholars accept some results in the reference field of the history of the Nineteen Ancient Poems, to explore the acceptance in the Qing dynasty. This paper will start from the Qing Dynasty poetry works, the selection of “Nineteen Ancient Poems” to explore more respect Tang Dynasty sent, spirit, style, charm and Tongcheng school focus, a detailed analysis of the poet’s “poetry” factions of criticism, to explore the “Nineteen Ancient Poems” in Qing Dynasty on the interpretation of acceptance. The full text is divided into four parts: the first part is “respect Tang Dynasty sent” under the background of poetry criticism, this part is the main content of the study of Jin Shengtan, Wang Fuzhi’s “poetry” concept; the second part of the paper is under the background of“Xingling poetry criticism”, the main content is to study He Yisun, Yuan Mei’s view of “poetry”; the third part discusses the style that is under the background of poetry criticism, mainly is the study of Shen Deqian and Li Zhonghua’s concept of “poetry”;the fourth part of the paper is the charm and the “Tongcheng school” under the background of poetry criticism, mainly is the study of Wang Shizhen and FangDongshu’s concept of “poetry”...