From The Full Score To The Real Orchestral Soiuid

Jean Sibelius is an important nationalism composer, and representative the late romanticism. His ‘Symphony No. 2 in D Major’ is full of Finland nation flavor and the color of the Nordic folk style. This article based on Sibelius’ ‘Symphony No. 2 in D Major’ the Fourth movement as the main research object, to the point of view of conductor to carry out research. This article has five chapters, except preface and epilogue. The first chapter is divided into the composer introduction, music works introduction and creation background of the three kinds of background information. The second chapter works for music structure analysis and the analysis of the orchestration, the third chapter points to analysis of bowing, articulation, intonation, tempo. The fourth chapter for the overall layout of timbre fusion, the sound balance and parts level. The fifth chapter is to plan for rehearsal schedule in advance. How to rehearse and intends to solve the problem.This article is to analyz sibelius’ ‘Symphony No. 2 in D Major’ the Fourth movement from the conductor’s perspective, and find out a method that transform the full score into real orchestral sound. This article has certain value in topic selection and the breakthrough point, and the corresponding contents and conclusion are also to some extent, to fill the domestic conductor to investigate the music elements of full score into actual sound, and the second in the rehearsal process, some approaches and advices are provided for conductors.