| Duanwu festival “Paddle Dragon Boat ” custom in Guangzhou as a major convention, showing the characteristics of Lingnan festivals, epitomizes the Lingnan people’s lives wisdom and aesthetic tastes. By miniature folk customs,, around the songs proverbs, legends, rap dragon, dragon boat decoration, race ritual aspects, to explore the language of art features, decorative aesthetic implication, festivals life modality, exhibited Paddle Dragon Boat,and analyzes its culture Origins and contemporary significance.The first chapter discuss the origin and collating of relevant sections mundane in objects about “Paddle Dragon Boat” in Guangzhou. And do a simple comparative analysis with the Wu Yue, Xiang Chu land of dragon boat races and modern dragon boat races.The second chapter does a detailed aesthetic analysis of the Oral Language Arts about “Paddle Dragon Boat” in Guangzhou. Improvised songs proverb, renders Lingnan culture and customs poetically, but also summarizes living wisdom refining succinctly. Prose narrative folklore also provides a magnificent magical world of imagination. for people. Sarcasm, humor dragon boat rap, feelings of sincere, full of local flavor, reflects aesthetic taste of the popularity.The three chapter does a detailed aesthetic analysis of the folk decorative art about “Paddle Dragon Boat” in Guangzhou. Exaggerated strange modeling, bright full-bodied color, fresh and simple folk art patterns, both beautiful and practical, but also has the evil and clifford spirit function. Boat and characters dress for a "significant form" is a collection of beliefs and aesthetic.The fourth chapter analyzes the aesthetic implications of ritual elements in “Paddle Dragon Boat” in detail. Rhythm of time and ritualized space created aesthetic field effectively. In a symbolic ritual, the symbol ritual systems of worship objects, ritual body,ritual objects, reveals the existence of the festival on the meaning of life. Carnival performances of races to game-carnival scene, drama characters exaggerated imitation, subverts the order of everyday life, make the transition from the monotonous life to a happy gaming scene, enter the carnival aesthetic experience.The fifth chapter focuses on the cultural Origins of aesthetic implication in “Paddle Dragon Boat”. “Paddle Dragon Boat” and related language arts are projection of Cantonese national character addicted to songs and fighting. Ghosts and deity belief psychology is foundation of aesthetic implication in “Paddle Dragon Boat”.Ancestor worship changed from dragon worship, resulting ancestors heroes myth narrative, cast a mysterious and legendary aesthetic color to the collective memory of their ancestors. Life consciousness of self-improvement makes people did not anxiety depression, in the death and birth games, enjoy the real life, fully, and explore the meaning of life.Conclusion, folk customs, ritual ceremonies and carnival performers gives “Paddle Dragon Boat” sensual life activities aesthetics. Although the Dragon Boat Cultural has been a series of adaptation, evolution on the context of urbanization, but its heritage and protection provide a broad memory for the people, so that there is at the hands of nostalgia to go, so has the importance of heritage significance and aesthetic value. |
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