Bonnard Of Free Spirit Control Painting Art

Pierre Bonnard (Bonnard Pierre,1867-1947) is a representative painter of Paris’s most active art group Nabis at the end of the nineteenth Century, however the Nabis in art history and not too long, with Bonnard’s departure, Nabis also fall, the artist also part company each going his own way. Bonnard himself said does not belong to any school, however, his achievements in painting is be obvious to people, has been more positive art circles. The paper thinks that, Bonnard’s artistic style of painting is the most important feature is the freedom, both in the choice of subject matter, or in the composition, the performance of space, or the method of selection and use of color, Bonnard could do it compatible for a variety of style and storage, but is not limited to a certain the style of the barriers, the unique style of the paintings are full of Bonnard, which contains the free element is a very touching.This thesis can be divided into four parts, the first part introduces the creation background, research significance and research method of this article. The second part mainly reviews the Bonnard’s life and works of art; The third part of the content of the theme, for Bonnard paintings as well as for the absorption of all kinds of painting, both are expounded; The fourth part is the focus of this article, to study the art style of Bonnard as background, from the composition, color and individual emotional three aspects to elaborate the art style of Bonnard, understand freedom elements embodied in his painting.Bonnard early by Gauguin and the influence of Japanese yamato-e, and get the impressionist, colorful and lively spirit of enlightenment, further combines the objectivity of impressionism and symbolism, the basic proposition of sensibility. But heart, brushes are as their mood and thoughts to flow, no matter any genre can really change Bonnard adhere to its own style, Bonnard is always in his own paintings to try, innovation, breakthrough, and thus become the painter, which forms a connecting link between the preceding and for the end of the 19th century early 20th century western art history wrote a glorious page.