Don Folk Music Dance Tracks Okuma Research "Jiaofang Mind" Set

Tang era national fusion and the height of the social and economic prosperity and development, making China became the world’s most developed country in economy and culture, and the development of music at the same time also become the peak of the entire historical process of. Singing and dancing daqu in the tang dynasty is the fusion of Chinese and foreign music culture of all nationalities in history, diversity and subjectivity, kabuki music in ancient China is the main forms of music. Western music composition and there are a lot of color, it is the central plains culture and west culture of all ethnic groups in music collide with each other, permeate, and blend of Buddhism, Taoism music, formed in instrumental music, singing, dancing, as the main body of the multistage structure pattern of large-scale song and dance music of the daqu, was the ruler, and become the mainstream of royal court music.Tang dynasty singing and dancing daqu song, dance, happy to an organic whole, integrated use of various means in the growing up of large music genre, in the tang period and the whole occupies an important position in ancient Chinese history. Tang dynasty singing and dancing daqu yakubu, hu, common the joy together, music style diversification, beautiful harmony, presents the prosperous time characteristics. Tang dynasty singing and dancing daqu also absorbed the foreign music and ethnic folk music, and the development in the interaction and perfect. The mature stage of the tang dynasty singing and dancing daqu development with the following artistic features:one is to perform scene magnificent showily, colorful and rich in emotion, vision.2 it is to rely on the tang dynasty prosperity and economic stability, art is to create the verve halma, the openness of the work. Three is the tang dynasty in the tradition at the same time, dare to absorb the essence of the foreign music, and innovation.Tang dynasty singing and dancing daqu in the official records of the music is not much, except for some individual work to the original, only the folk narrative Cui Lingqin of concentrated in the teach fang ji (46 first jot the daqu song name, therefore this thesis I will first daqu song name according to the 46 through analysis and study the content of chapter four. The chapter content is as follows:The first chapter mainly summarizes the common le tang song and dance of the development of the daqu, structure, absorb and draw lessons from and innovation.The second chapter, I mainly from the historical materials of tang vulgar music singing and dancing daqu and meticulous research, will each relevant documents and relevant records of tang daqu, complete to collect as much as possible.Third chapter I focuse on the tang vulgar music singing and dancing daqu pieces of content classification research, through analyzing four sections:the first section, from the tang dynasty music aesthetic thoughts of Confucianism, Buddhism, Taoism philosophy in the understanding of its content and the development of daqu. Analysis on textual research in the second quarter of each to begin sorting daqu circumstance. In the third section analyzes daqu and records about folk music and folk stories to classify. The fourth quarter, the continuation of the third quarter of the way for every piece of daqu can be recorded in the relevant study on classification of historical stories.In the last chapter I focus on the music style of song and dance about tang vulgar music daqu in comparison, classification research. Then there is the tang daqu when creating this generalizes the aesthetic idea of, for example, and summarized.