Biandi Daqu In Tang Dynasty

Biandi Daqu (边地大曲) in Tang Dynasty is chosen as the thesis' main focus of attention. The concrete train of thought is that by reading and analyzing the document, the author expound the fundamental state of Daqu (大曲) , selective analysis the basic and individual character of Biandi Daqu. Contrasting Biandi Daqu with Qingyue Daqu (清乐大曲) and Xiyu Daqu (西域大曲 ) , point out the similarities and differences between them.The thesis consists of the following six parts. In the introduction, the author discusses two questions: First is about the object and the content of the thesis. Secondly, enumerate historical documents and existing achievements about this problem.The second chapter discuss the basic conditions of Daqu, enumerate records in historical documents, explain the stage and the organization about Daqu. Then, compare the relationships between Daqu and Shengshi (声诗) , in order to provide some foundations about the following chapters.The discussion in the third chapter centers on the problem of Biandi Daqu. Liangzhou (《凉州》) ,Yizhou, Weizhou, Luzhou is firstly chosen as the focus, respectively analyze their filiations, headstreams,mode, instruments, players and words. Then sketch the rest Biandi Daqu. Finally, summarize the characteristics of Biandi Daqu.Primary emphasis in the forth chapter is to contrast Biandi Daqu with Qingyue Daqu. First is to list the essential features of Qingyue Daqu, then to find the similarities and differences between the two kinds of Daqu.In the fifth chapter, the author list the essential features of Xiyu Daqu, then expound the connections between Biandi Daqu and Xiyu Daqu.In conclusion, the author summed up each parts of the thesis, point out the characteristics of Biandi Daqu, point out the relations to Biandi Daqu with Qingyue Daqu and Xiyu Daqu.