| color art by its dripping water color, transparent,fresh features are popular with the public and appreciation. It tends to ignore the watercolor painting "mottle" beauty. Watercolor because its characteristics of materials, easy to produce a lot of uncertainty in the painting process. As the nineteenth Century British watercolor theorist Raskin said: "in the treatment of watercolor painter, formed water drop and lively nature of fantasies and nature, splash marks, condensation of color blocks, and stained granular, although does not have what meaning to the picture, but occasionally formed dreams of good fortune, fresh taste, let a person lead a person to endless aftertastes." This paper is devoted to the study of watercolor painting language in the "scars" produces aesthetic feeling. In the article is divided into four parts, the first chapter is the first part, mainly from the watercolor painting language of watercolor ontology language difference, analysis the characteristics and other kinds of painting and formation of watercolor ontology language from the historical angle. The second chapter and t. The second chapter and the third chapter is the second part of the article is the main part, mainly from three aspects analysis "mottle" characteristics and through the list of relevant painters examples, and then to Gombrich’s "projection" theory to analyze the causes of mottled beauty. Through the analysis of the subject of art, analysis of ornamental mottled beauty for a different audience aesthetic origin in three aspects and objects of art. The third part is the fourth chapter, discuss the "pied beauty" artistic value, and with the watercolor "dense beauty" are compared. The fifth chapter is the last part of the article, here to the watercolor art language in the "mottled" of the United States to have a more thorough understanding, and combination of watercolor painting process in the "mottled" beauty. |
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