| Franz Josef Haydn ((Franz Joseph Haydn,1732-1809), Austrian composer of the classical period, the founder of Viennese classical music, had been known as the "Father of the Symphony" and "Father of the String Quartet. "in addition to the creation of a large number of Haydn symphonies and string works, but his piano works is highly anticipated, it is worth mentioning that the creation of 52 Haydn piano sonatas, piano competition at home and abroad, playing and teaching, both You can see the emergence of these works. among the peak phase of the late Haydn creation "piano Sonata in E flat major" (Hob.ⅩⅥ/49) more famous. this piece is known as the most classical features of Haydn piano sonatas, with playing with a high research value."Piano Sonata in E flat major" (Hob.ⅩⅥ/49) this piece is Haydn late piano sonatas in five second head, leaving him on the occasion of Esterhazy Palace (1789-1790) first Britain on the eve of the visit, as Marianne von Root Ratzinger doctor (Mariana von Genzinge) and creative works. Haydn is precisely at this time as an independent musician in Vienna on the occasion of the start, is considered the most classical features of a Haydn piano sonatas. This sonata composed by three movements:Allegro movement sonata form, showing humor and cheerful music; cantabile movement flexographic trilogy, full of beautiful and romantic music. Minuet movement rondo, music filled with vigor and vitality. This piece is the culmination of classical Haydn Creation, is the most characteristic of classical sonata, so the key to good performance of this piece is that correct understanding of Haydn work style and emotion, that figure out a good classical period playing skills and performance measured.The full text discusses mainly from the following four parts. Chapter One:The Haydn life. This chapter introduces the composer at a young age, life changes and musical development path Esterhazy Palace and Vienna during the period. Chapter 2: Haydn Piano Sonata stage. The chapter on Haydn sonata contribution and Haydn sonatas do overall development context analysis, research and analysis through specific clarification of the late sonatas has reached the pinnacle of creation. Chapter Ⅲ:Haydn "Piano Sonata in E flat major" work analysis. This chapter analyzed separately from the creative background, musical structure and characteristics of the three creative movement. From its creation features three movements each have characteristics were analyzed to themes, motives, decorative tone,terms of CLS, rhythm, timbre, literature and so forth, through the full spectrum of surface information and understanding of each movement Playing pave the way for the creation of features. Chapter 4:Haydn’ "Piano Sonata in E flat major" Playing interpretation. This section focuses on music technology, Haydn played classical style points, playing three aspects of the interpretation of revelation. Through the three movements of the overall classification and playing technique division, the interpretation should be noted that playing with playing grasp technical points, so players in the style of work, emotional grasp, just the right sense of proportion on the playing skills, are able to do to accurately interpret, to make able to play this piano sonatas of Haydn’s musical interpretation to achieve full talk and play, and finally realize the value of performance studies.In the analysis of this piece, while not only to know Haydn sonata in the creation, for the development of Western music has made a great contribution—He put Western music is important sonata form structure that has been established, and the Sonata for the development of this genre, mature and improve. But should also be noted that the creation of 52 Haydn piano sonatas throughout his entire creative process of music, their style of development is basic synchronization in his symphony, the development of future generations of piano music has a very important influence. Therefore, to appreciate the contact Haydn Sonata evolving and piano with his symphony between appropriately for better interpretation of his works do theoretical groundwork.This paper aims to study the connotation and extension work, the emphasis on comprehensive analysis of the works contribute to a more profound and faithful interpretation of the original. Only when the theory is used to guide the music theory into music, it only reflects the true value, or else theories are on paper. Actual theory of perfect unity, technical and emotional, for the most intense player must first demonstration of their knowledge and thought, he must give the music a "soul", and by the most profound music being narcissistic achieve enlightening the audience produce results. |
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