The Magic Fiction Creation Of Maimaitiming·Wushouer

In the culture of the common development of Chinese multi-ethnic literature, the formation of the Turkic culture and literature as a cultural umbilical cord wears the Uighur writers’ experience of the national culture closely, and inspires the latter continually, making it is committed to the establishment of a modern national humanities spirit in the form of value, while the efforts of these ethnic literatures play an important role in constructing the pattern of diversity in unity of the Chinese cultural level. The literary works of Uighur writers are not only producing a wide range of influence in the history of Uygur literature, but also becoming a literature phenomenon of worthing studying during the academic research of Chinese literary field because of its unique status in the multi-ethnic literature. From the development of the third world, Xinjiang has distinctive ethnic features and regional culture characteristics in respect to many other adjacent similarities of magic realism literature. Uighur literature provides a beneficial enlightenment and guidance in literary creation concept, what is more important, stimulates the Uighur contemporary literature to rediscover nation’s traditional magic culture in modern art construction aspect, so as to realize the creative transformation under the era demands of Uygur contemporary literatue.During the transformation of creativeness, Uighur writer Maimaitiming·wushouer is clear with Soviet, Arabian, Indian and western literature and art since modern times, from visible form to the sentence grammatical ambiguity, meaning the overload of pure aesthetic ideal structure. At the same time, in the aspect of Uygur literature showing their distinctive creative personality, he always values from the Uyghur classic literature spirit, the traditional art practice, such as myths, legends, folk stories, the hero epics in the excavation of the Uighur history and culture, the mysteries of human love, myths and legends. With peculiar to the Uighurs mythical thinking and hallucination logic, he creates a series of magic works of fiction. In some sense of image in expression, and a variety of metaphor, he bestows a universal significance and value on national literature. He will be based modern Uygur literature construction upon the spiritual value of Uygur traditional culture, and reshapes the myth of history prior knowledge to the modernity of literature, so as to realize the return of secret about the origin of humanity itself. Therefore Maimaitiming·wushouer becomes a writer of Uighur literature, who has a distinct creative personality.This paper mainly adopts the three research method in comparative literature research. They are respectly more classic parallel study, impact study and cross-cultural study. In the reference of magical realism literature, a systematic observe and research will be done for the magic novels of Uighur writer Maimaitiming·wushouer. The paper points out that though magic novels of Maimaitiming·wushouer exhibits many similarities concerning magic realism in expressing themes of loneliness, showing magical reality and space-time jumping and stagnation, but apparently, with the national culture, national identity and the thinking of the national style of literary creation, Maimaitiming·wushouer selects literary material from the national and local environment, using the national characteristics and culture accumulation in Uygur traditional folk literature, myths, legends, and folk tales into his own literary creation. Thus he creates their own fashion magical novels. Under the greater impact of magic realism literary inspiration all over the world, his magical novels are rediscovered and inherited from Uighur traditional narrative essence. The modern ethnic narrative by exploiting from the language of national characteristics, can be seen as " The magic realism of Uighur style."...