Application And Language Extensions Of Stencil Graffiti In Print

In this paper, we study the object of Stencil graffiti art, despite being labeled "rebellion", in a long period of time ignored by orthodox culture, marginalized by the mainstream art. But there is no denying that it’s "tradition" and "the elite" characteristics and continuously explore and innovative spirit, to try is the engraving today an indispensable key factor of the development process. It comes from the bottom of art culture and cultural background, for pop art, art of dada art forms of mix, strong expressive force and creativity are print art can absorb the adoption.The author since 2006 has always focused on the domestic pulp molded graffiti, domestic stencil graffiti are mainly concentrated in Hong Kong, Guangdong, Shanghai, Beijing and other cities, some secondary cities also have stencil graffiti traces, although the graffiti itself has more than 30 years of history, but for most people in China still don’t understand, the general public under the public space, there are even unable to distinguish between the stencil graffiti and graffiti as well as the difference between hand-painted murals. By this article, the author hopes to had made people have more knowledge of pulp molded graffiti, for domestic pulp molded graffiti art can fast soft the way its contribution.This paper based on foreign pulp molded graffiti art, by sorting out the cause and effect of the pulp molded graffiti, expounds the pulp molded graffiti and in print, the relationship between contemporary art and contemporary art from the technical level and language level explained the paper form the heritage and development of graffiti and engravings, and analyzes the paper form graffiti as a cultural landscape of the city’s influence, puts forward the author’s own opinion.This article mainly expounds the following aspects of content:the first part, from the origin of the stencil graffiti art, this paper expounds the postmodern context of contemporary printmaking and graffiti art association, and then for the pulp molded graffiti art can do early elaboration for contemporary prints acceptable. The second part, In order to foreign stencil graffiti art as an example, try to from the technical level and language level join two different but similar art, absorption use paper to print art graffiti find breakthroughs. The third part, analyzed from the view of dialectical graffiti culture in the public space field formed by the unique cultural landscape, and puts forward the author’s own views on graffiti culture localization.