The Exploration Of Contemporary Woodblock Prints Language Form

In the 1930s,Mr.Lu Xun advocated the "new woodblock movement" in the history of woodblock printing,which is a watershed,marking the rise of modern woodblock prints.The language form elements are constantly changing in the hands of the printmakers.After decades of development,it has presented a new look.As a traditional Chinese art culture,woodblock printing is also in the stage of transformation and development in the contemporary context.This paper expounds the development of woodblock printing by collecting data,example analysis and practice summarization.It analyzes the characteristics of picture formal language form ontological language elements.With the development of society,the change of thinking style of woodblock prints makers also gives woodblock prints.The development has brought about a certain impact,begin to explore the real inner world,combined with personal aesthetic consciousness,borrow the aesthetic of contemporary art visual culture to present the spiritual experience in contemporary society,analyzing the representative contemporary printmakers and works,and expounding the transformation of the woodblock prints language form under the influence of the open and free context.As a unique form of Chinese traditional art and oriental art language,the significance of woodblock prints is incalculable.We must not only inherit it in full,but also develop better.This paper is devoted to the exploration of contemporary woodblock prints language form,and combined with its own creation,in practice,realizes the important role played by the woodblock prints form language in the pictures.