Metropolitan.Gender.Body—the Study Of Louye’s Film Under Metropolitan Circumstances

As one of China’s leading figures of the sixth-generation directors,Lou ye’s film creation has been concerned in practice field, Throughout his works, always under the background of “metropolitan”.The rapid development of economy、the transition of the society highlighting the social contradictions, especially under the background of“metropolitan”,The phenomenon of contradiction and unbalance increased. The documentary style of Lou ye’s film, build the city image of sad city and ruins, It is like a sharp scalpel, hit the dark corners of the cities and marginalized groups directly. Conveying the pain that “cannot express”,he believes “my camera does not lie”.Gender perspective is a very important feature in Lou ye’s film, in this male-dominated society, female has a appearance as the weak identity, so, Lou ye portrayed the binary opposition image of “Marginalization of women”and “ The alienation of men”.In city men have been repressed and been ensnared then human nature is distorted;Women at a disadvantage in society, always getting various hurt,they are fighting but lost.“body” is a very important feature in Lou ye’s film,in film Lou ye display and application of the body element boldly,under the background of city. The element of body presents abundant implications. Lou ye’s film style are different from the fifth-generation director,Compared with the sixth-generation directors,they have a lot in common, but Distinctive.In short, Lou ye as a skillful director, formed its own unique style in the film creation, More valuable is that his films conveys a sympathetic humanitarianism feelings to individuals at the bottom of city with a kind of equality and documentary perspective.