From The Perspective Of The Theory Of "Body",the Film Research Of Anis Varda

Known as "the mother of the new wave ",French female director Anis Vader created more than 40 film works,which had a profound impact on the French film industry.In the long 60 years of film career creation,Valda has been committed to "body" as the starting point and way of her perception,thinking and expression.In her film creation," body " has always been in the central position,especially for the portrayal and depiction of the female body.To the second women’s liberation movement played a certain role.As the only female director in the left bank of the French New Wave movement,her works are naturally philosophical and literary in the "writer’s film",so in Valda’s film,the body is not just the " acting body "," the body on the screen ","the body with flesh ",the body is not binary opposition,the body is a high degree of body and soul,is the perfect fusion of body and consciousness,in the film,the body is given more connotation and significance,especially the female body in the film,Valda gives more humanistic care,from different angles and horizons to show the female body,Boldly expressing the ideological connotation of "my body I make the decision" in the film,Valda rewrites the stereotype and ancient image style with a delicate,gentle and feminist humanitarian creation idea for the second time.The body is not only the object and element of Valda film,but also the "soul and core ".This paper attempts to examine the body in Valda’s films from the three concepts of "body space "," feminism" and "film writing" in order to clarify the important role of "body" in Valda’s films.The first chapter summarizes and expounds Valda’s brilliant 60 years of film creation and its influence on Valda’s film creation under the specific social context of France.The second chapter mainly expounds the body in Valda’s film from the perspective of "body space ".How Valda constructs the body space self and the body and space of the characters in the film,In the film," body" has always been an important basis of image construction,the third chapter mainly from the perspective of "feminism" to explain the director Valda and feminist film alliance and in the film creation to show the female perspective,female consciousness,especially the female body as the starting point and foundation of the film,to show how women break the secular shackles,break through self,the fourth chapter is mainly based on the concept of "film writing" proposed by director Valda,and once again re-examine and explore how Valda depicts and describes the symbol "body" in film writing,Valda has always used her own image style to create the world of the body in the film,writing the film with the body,perceiving the film with the body,as she said : " I always live in the film,the film is my survival home,I can not do without the film."...