In 1911-1949 Wars Watercolor Of A Sino-foreign Comparative Study

1911-1949, whether in China or in the west is a period of turmoil, sensitive and fragile.In China, from the beginning of the revolution, China has entered a social contradictions, intricate political struggle of the increasingly intense war s full of change. Along with the social form and the transformation of social structure, also great changes have taken place in people spirit world, not just in China watercolor is watercolor painting movement, more is not just a campaign emphasizes technique, style, but also the whole of China’s new culture movement.Intention in the world, from war to the Middle East and throughout the western world of ideas, beliefs, mode of production and art forms are all in the intense turbulence, going on one of the most intense change, modernism watercolor also arises spontaneously. People borrow modernist watercolor to express resulting from war violence, self-awareness, living environment, psychology, etc.Art is art, however, in any age will derive a new gesture, watercolor this picture in this period of western reached the peak of the painting, created the modern watercolor, also made the whole western watercolor. However Chinese watercolor in this particular war period had with western watercolor almost the opposite direction, the region had no choice in the west China in the general direction of the prevailing modernism watercolor, preferring almost has not been approved by the western modernism, has been negative, rejection of realism, namely realism.In order to study the problem this paper mainly takes the form of contrast study. First of all, from the comparative study on the theme style. Mainly from the four categories of figures, landscapes, still life, war, comparing the subject aspects thereby to intuitive found that Chinese and western watercolor is different. And then, from two aspects of language skills and art concept comparison research respectively. This can be a deep layer of explore watercolor in medium and west two different reasons of regional development. Finally, from a deeper comparison research, makes the research more thoroughly and deeply.Many artists and theorists for Chinese art history, foreign art history, paintings, etc of the war years were studied. But no one on the whole from 1911 to 1949, the development of China’s development of watercolor and western watercolor systematic classification, research, and summarized. From pure sense, the purpose of this paper is to the war in 11911-1949 s comparative research both at home and abroad, China’s forehead also experience the pain of war, western China watercolor why only a large schools of realism, and other genres of watercolor is not developed in this land. The intensity and the development of western watercolor will derive modernism watercolor, formed a striking contrast in the same period, Chinese and western watercolor. Through the comparative study of this period of watercolor, can let people taking this particular war era of watercolors have a deeper understanding, system, also hope that this article studies the Chinese watercolor can play a positive role in the research.