The Theory Of Contradiction Of Peek - Fisher's Art

From the end of the nineteenth Century to twentieth Century fifty or sixty years, westernmodern movement to form exploration came to own an ivory tower. Abstract expressionist artistseven painting from frame, canvas move down, greatly weakening the color, image, structure andother traditional painting factors, and that the painting has no meaning, and even threatenpainting has died. Modern extreme pursuit of personality, language is pure and not reproducible,although return to the noumenon of art, but it has become more and more like science andinvention, people always face the inhospitality boring art bored, artists gradually aware ofmodernism and human emotion is more and more far, fifty or sixty’s postmodernism graduallyon the rise, it expressed concern about human nature, free of pursuit, postmodernism believesthat art is life, artistic expression is contradictory and complex and the unity of diversity. Arrivedseventy time end, European art began to appear in German Expressionism as pioneer recovery, inthis new painting movement under the influence of the United States, appeared a batch ofpainting group, known as the" New Expressionism"" new realism " and "new" symbolism"Figurative Expressionism"" graffiti art", art form, and gradually become the mainstreamAmerican art. In this context, Eric Fischl comply with this trend, he explores the art developmentof the road, with its unique perspective reveals the American middle class life inner contradiction,his work often involved on privacy and the taboo theme creation, so the viewer into a conflictand awkwardness situation, and arouse the audience deeply, so as to realize the problems theyface serious. His art is complex and contradictory, serious and tongue-in-cheek, profound andvulgar, sadness and happiness, all these fuzzy, uncertain elements interweave together, in thepicture on the conflict and collision, showing a typical post-modern cultural characteristics.In the contemporary international art scene, Fischl is the richest one of the independence of thefigurative painter, but comparison with the achievements of domestic, the systematic research onpeople or monographs are relatively rare, I collected information about him is mostly for itsinterviews with translation and commentary, only collected two of his research. Data,respectively, through the analysis of Fischl ’s art works of the American middle class socialissues faced by Fischl, and of the truth in art. This article wants to discuss is Fischl contradictionin art. The article is divided into three parts: the first part introduces Fischl’s personal experienceand his artistic thought development process. The second part is the main part of the paper,through to the Fischl works separately from the subject matter, the viewer psychological analysisof Fischl in the art of painting the contradiction, and put forward the art of Fischl belongs to the postmodern category because of his art both realism and modernism painting contradiction. Thethird part explores Fischl’s art to Chinese contemporary art and society brings to think.The article is divided into three parts: the first part introduces Fischl’s growing environment andhis artistic environment. The second part is the main part of the paper, through to the Fischlworks separately from the subject matter, the viewer psychological analysis of Fischl in the art ofpainting the contradiction, and put forward the art of Fischl belongs to the postmodern categorybecause of his art both realism and modernism painting contradiction. The third part exploresFischl’s art to Chinese contemporary art and society brings to think.This paper thinks that the study of Fischl the following two points: first, on the value ofexpression he is not completely copy the traditional realistic law,80,90’s works are from thepicture, in recent years the work is directly through the photo processing software collagetogether, bring visual contradiction and confusion. His work points out the realistic painting andmodern painting aesthetic contradiction, make us to think in daily aesthetic experience and pureaesthetic experience conflict, in modernism painting in the development process of how we donot go to extremes to reconcile the contradiction between the two of them? In second, Fischl isthe art of narrative, he showed American middle class real privacy. The presence of people andenvironment appears to be misfits, make people doubt, even doubt: the people in the richmaterial life and spiritual life appearance, but are boring, boring life, embarrassed, embarrassed,helpless, depicting the middle class most of the private life, including in the bedroom, garden insome very personal behavior, the unconstrained privacy violation of human morality, butreactions the most primitive desire. Fischl’s art as we show in contemporary society people’sdesire and moral contradiction, so that we have to reflect on the contemporary highly developedrational society, is to suppress the instinctive desire, right when they don’t exist, or to find asuitable channels displayed, in order to ease.