The Research Of Hong Sisters’ Drama Products In The Postmodern Context

The excellent screenwriter Hong sisters from South Korea with its unique “Wulitou” creative style swept the whole of Asia; it reflects strong characteristics of Postmodernism. Postmodernism emphasizes a kind of no center, no body, no system and uncertain thinking activity, Advocates the diversification of values and the form diversification, showing a kind of characteristic which dispels the tradition, isolates the standard. In Hong sisters’ whimsical writing, not only deconstructs the classical literature of grand narrative theme, but also to take off the heroes’ crown into small figures, as the audiences with joy. In the trend of new historicism, the historical drama breaks the authority in the body which called "historical reality" and "not change", it is clearly welcome and support in this time which standard “individualism” of culture. Hong sisters as practitioners of post modern culture created the first South Korean historical comedy drama, suddenly high-profile. Hong sisters as Wulitou movie fans are very keen of means of Wulitou artistic expression, although there is a wide cultural gap between Hongkong and South Korea, but they still can successfully transplant the Wulitou culture to their creation, which obtains the amazing effect. In the narrative technique, parody, collage, irony, deconstruction and so on standards, likely modern indication in the Hong sisters’ drama obtain the incisive performance.With the help of a post-modern theory, and the relevant cultural background, with the use of lots of instances, from the cultural background of South Korea and the text study, discuss their characterization of post-modern aesthetic features finally. At the same time the rich post-modern characteristics provides the idol drama of our mainland a reference, so as to broaden our view.