Dilemma And Breakthrough―The Research Of The Sixth Generation Director Of Marginal Man Film

Since the 1990 s, “the sixth generation” become active in the Chinese filmdom, they broke with traditional cinema and explored issues rather than recycling policy approved, they are emphasize “subjective feelings” and “artistic intuition”, using a new process to make a film, show the face of the world. The “marginal man” film is have “modernity characteristics”, “arts come from life”, “marginal man” can restore the truth of life, a good film can assimilate art in the life, “the fifth generation” highly values the “family” and “country”, “the sixth generation” different from “the fifth generation”, they are highly value the “marginal man” and “marginal life”.The full text is divided into three parts, the first part is introduction, this paper summarizes the present status of study of “marginal man” and marginal man’s value of the sixth generation’s films.The second part is text, the text is divided into three chapters, the first chapter literature the cause of the feeling of drifting in the marginal man, and in the culture shock, how to get identity culture and sense of personal identification, according to the style of the sixth generation, put marginal man in the urbanization, analysis the influence of urbanization.The second chapter is classify the “marginal man”, the “marginal man” are divide into three categories, the first categories is city of exile, they are maybe migrant worker in the city’s bottom, they are maybe the city immigrants; the second categories is avant-garde artists, this group includes rock singers, pioneer painter and performance artist; the third categories is special occupation people, this group includes the thief, the rogue and hostess, another part of the gay. This chapter’s point is to show “marginal man” with the social sense of distance.The third chapter discusses the sixth generation’s dilemma of creation and the innovation of films, put marginal man in the post modern context, to explain the relationship between the film and the text, analysis of the similarities and different the marginal man the zero and the superfluous man, the market and the consumer in the their creation, analysis of development status, analysis of the breakthrough and defects.The third text is epilogue; epilogue part is longitudinal observation of the marginal man film, found that the sixth generation’s creation defects, “marginal man” as a sensitive cell of this modern society, construction of his sense of belonging is a very difficult question.