The Sixth Generation Movie Research Of The Horizon On Reception Theory

Since the 1990 s, because of the marginalized perspective and realistic concern, the sixth generation directors in China have been awarded frequently in The world's film festivals, which had some influences. But it is a pity that although their works have been popular with a small number of elites and intellectuals at home, they are not accepted by mainstream, so the market power is very limited. Therefore, that the acceptance is not optimistic is a big challenge for their works. How to get out of this dilemma is of great significance to the sixth generation directors, because It directly relates to fact whether the sixth generation directors have sustainable development. However, to solve the problem, it is not enough to only consider the script. Solving the design and the aesthetic style is just part of the problem. What is more important is to understand the audience and readers and explore their need. Combining the two is an ideal way to solve the problem.Market of the "sixth generation" directors encounter cold, is ultimate ly a question of the audience to accept. So on the theory of reception aest hetics to the works of the "sixth generation" directors this accept object a nd readers this subject to do some deep research, is of important theoretic al and practical significance. "Call structure" and "traditional" are two cor e concepts of the aesthetics of reception, the corresponding, "call" structu re is build through the works of the "sixth generation" directors and audie nces understand accept channel is an important means. Through the movi e text "summon structure" of the "sixth generation" directors, it can be mo re figurative concluded from the perspective of the text of the "sixth gene ration" directors attract readers and to develop methods and strategies."Tr aditional" theory from the Angle of audience can be the audience needed to think. Draw the reader's aesthetic demand, looking forward to the realit y of what. In fact appear to accept the cause of the situation is not ideal of the "sixth generation" directors, to a large extent is the work of "summon structure" and the audience of "traditional" there is a certain deviation bet ween with distance. How to cater to the call of the text systems, breaking, reshape the reader's expectation field of vision, is to solve the work of th e "sixth generation" directors to accept the key of the situation is not ideal.To complete the look for in a mainstream view meet, the sixth generati on directors must change strategy and positioning, avoid swing under the double call of art and commerce, to establish the work of "potential reade rs," by the elite and the potential readers group of intellectuals in the nich e to a mass audience.To correspond, the "sixth generation" directors must make some adjustment on the subject, theme and the narrative strategy of the works and reset the works' "calling structure" to cater to or reshape th e expected vision of receivers.Even if they always adhere to the marginal, non mainstream theme, they should also try to avoid the excessive past p ersonal expression and use popular expressions and classical narrative str ategies as far as possible. As they cater to and shape the mainstream audie nce expected vision, at the same time, they also should constantly remake themselves and change the audience.Even so, the problem is relative. Th e fundamental problem is the sixth director of so-called art film puzzling paranoia, which makes them free from the mainstream movie market. Ac tually the contention of art films and Hollywood films have become outda ted concept, Hollywood classic design big plot of the movie can also has t he very high artistic level. Rejecting classic design and commercial movi e is not wise.For small plot and even the film's paranoia might have made some achievements and win some degree of recognition, but it can't be a real movie master. For this, the sixth generation directors can try the class ical design and let their own works transfer from the plot, the anti plot to 1 arge plot, which can not only satisfy the mainstream audience "classic", b ut more important it proves to the world that the "sixth generation" direct ors are good at "art film", also familiar with and master the classic design, so that they establish themselves in the position in the artistic palace.