A Follow Is Nothing But A Follower, Be Somebody Of One’s Own Chaeacteristics

This article is about the exposition of the author’s graduate work as well as the research of its related fields, It mainly discusses the combined application of the technical characteristics of Huang Tingjian’s large cursive script and its aesthetic connotations hidden in the writing practice.This article is divided into three parts. The first part is about the outline of Huang Tingjian’s large cursive script, It mainly introduces its origin, development, and Huang’s cursive script view, enumerates Huang’s large cursive script works that have been handed down from ancient times, and expounds those works’ historical status and their influence on later generations, The second part is about the author’s experience of studying large cursive script, Cutting In through the author’s personal learning experience to describe how individuals under the guidance of teacher, gradually changed ideas and deepened the understanding of Huang’s large cursive script, The third part is the conception and creation of this graduate work, Discuss in detail how the author analyses Huang’s large cursive script in the process of creating this graduate work, and then to absorb, adjust, and be combined with personal calligraphy practice, finally to realize the purpose of "entering copybook" and "coming out of copybook", reveal that in the midst of the exploration from inheritance to making new advances, the author has gone through struggle and inspiration in his artistic creation.