Study On Liu Zhen Yun’s Novel Creation

This paper focuses on the novel creation as the research object about Liu Zhen yun。Liu Zhen yun published since 1979, all works as a whole, comprehensive combing Liu Zhen yun novel creation, and the subjects for to stage as the clue of time and space, and adopted a lot of methods of text, the writer’s criticism, also has a reference about the author of some of the network television interview, newspaper media reports, in order to achieve the study of Liu Zhen yun novels overall.,on the basis of predecessors’ achievements, this paper aims to provide a new perspective,so as to further explore Liu Zhen yun connotation of novel creation. First part of this thesis is divided into five parts, mainly elaborates the author’s change and creation stage,the paper expatiates the purpose and significance, current research in the field, and the main ideas and methods of research papers. First chapter, mainly discussed is the creation of the early Liu Zhen yun novel. Liu Zhen yun life experiences, environment impact, spirit level, personality made him inevitably maintained close contact with reality, and social, historical, the character of the beat to keep the same pace. Plus Liu Zhen yun again for a long time contact with a large number of rural life,so early in the creation of all aspects of the rural life and rural characters become the main content of its creation. Urban-rural amphibious life experience, then make the author’s point of view of extended to some of the little man in the city, such as "unit", "a feather to" shows little from many aspects, such as the change of the cultural life of the mind, with a profound realist style. The second chapter, the main research is Liu Zhen yun exploration period novels reflections on history and culture. This stage writers after the realistic pursuit of then up ahead in the history of the sky, standing on the folk standpoint, to the new historicism narrative type and subjective irony narrative for means, through the novella "temperature is 1942" and novel "hometown the chrysanthemum", the hometown and the flowers, the creation of the "hometown with circulating" and so on, the author compared the history of deep reflection, and to create a personalized village history and dismantling of the temple of the official history, the serious of the history of a digestion and set again, reveals the power of the ever-present historical truth, the critical point to local historical discourse power system of power and the ruler. The third chapter, studies the Liu Zhen yun maturity has some of the situation, at this stage of the author’s creation to mature, develop their own distinct style, and the author also not stopped his exploration and innovation, the author’s creation into a broader broad areas, namely to explore in the field of the human spirit, such as "mobile phone", "the complex but reasonable story makes me admire," a top ten thousand sentences "etc., in addition to describe the new book" I am not the lotus of pan gold "petition problems, the author’s creation is more novel and original. The fourth chapter, artistic features of Liu Zhen yun works a comprehensive overview. From its flexible narrative technique, unique style of language and text structure makes a brief and detailed analysis, thus to overall Liu Zhen yun novel creation and more accurate analysis and grasp, make up for the inadequacy of relevant domestic Liu Zhen yun novel macro research.